发信人: starmoonh (想念老公), 信区: ascii_club
标 题: Re: DRAGON BALL
发信站: BBS 大话西游站 (Fri May 16 22:16:44 2003), 转信
nod,nod,颜色的确是一个大问题。我自己在画的时候总是觉得这个颜色不合适,那个颜色
不合适,尤其是肤色,总找不好,看了一些台湾的作品,觉得很自然协调,仔细一看,用
的却都是我画的时候觉得不合适的颜色。我想其实ascii的色彩更多给观者的是一种连在一
起的感觉,而不是单看某一颜色与原物是否符合。而我们在画的时候往往默认为和原物越
一致就越好,拘泥了用色的思路。
【 在 flubber (跳跳马) 的大作中提到: 】
: 我看台湾作品发现一个现象就是用色比我们大胆
: 并不拘泥于物体的本色,比如这里肤色的阴影就用红色
: 但是看上去却很协调,还有肤色阴影用蓝色的。
: 看上去象是环境光的反射,反而很真实。
: 其它的例子还很多,记得小鱼连线版的进版,
: 人物的头发用的颜色也很大胆,这样的用色在大陆色块中不多见。
: 这是值得学习的地方
: 软件就无法突破式地用色,转换作品的颜色只能忠实于原图的颜色
: 所以会造成表现力不强,细节无法区分的毛病。
Sender: starmoonh misses my husband, message area: ascii club
Title: Re: DRAGON BALL
Sending station: BBS Westward Journey Station Fri May 16 22:16:44 2003, forwarded
nod, nod Color is indeed a big problem. When I paint, I always feel that this color or that color is inappropriate.
It’s not suitable, especially the skin color. I can’t always find it. I’ve seen some Taiwanese works and I think it’s very natural and harmonious. Take a closer look and use it.
But they are all colors that I felt were inappropriate when I was painting. I think in fact, the ASCII colors give the viewer more of a sense of connection.
Instead of just looking at whether a certain color matches the original object, we often default to it being more consistent with the original object when painting.
The more consistent, the better. Stick to the idea of using colors.
mentioned in flubber's masterpiece:
: When I look at Taiwanese works, I notice a phenomenon: the use of colors is bolder than ours.
: Not limited to the true color of the object. For example, the shade of skin color here is red.
: But it looks very coordinated and the skin tone shade is blue.
: It looks like a reflection of ambient light, but it’s very real.
: There are many other examples. Remember the improved version of Xiaoyu Online Edition.
: The color of the character’s hair is also very bold. This kind of color is rare among mainland color blocks.
: This is a place worth learning
: Software cannot use color in a breakthrough way. The color of the converted work can only be faithful to the color of the original image.
: Therefore, it will cause problems such as weak expression and indistinguishable details.