发信人: zycw (淑女也疯狂), 信区: ASCIIart
标 题: 【我为字符狂】我如何画黛玉葬花
发信站: 武汉白云黄鹤站 (2003年05月25日01:39:54 星期天), 转信
作者按:这篇本来是想为【佳作共赏析】而写,不过想
想还是谦虚点,别说是什么佳作了。
黛玉葬花这个题材用ASC来画首选当然是用线条,看到
这么多人都这样画了,我总想用不同的方式来诠释一下,如
今成品大家已看到,评价大概也是一半一半,在这里斗胆将
自己这不管是成功还是失败的经验拿出,以供大家以后做图
参考。
既然选用色块来画此图,自然和线条所要表现的形式不
同,黛玉葬花是讲究整体效果的,因此设定其表现为以黄娟
为底工笔淡彩效果。
仕女图讲究线描美,因此可以说线描是仕女画造型的基
础,曾有人笑说虽我用了色块,但真正表现出感觉的还是线
条,其实ASC画的色块画本就离不开线条,如何运用线条使
色块画更具特色,如何使线条字符与色块相容何尝不是色块
图的一个基本问题,再画仕女图这个问题更是很重要的一面。
仕女图中的线描古称“建胎立骨”。强调骨法用笔,气
贯相连,整体贯一,讲气脉,讲动向,讲节奏,使之有气、
有势、有韵地表现仕女的神、形、体、态,达到神形兼备的
效果,色块画的线条表现,尤为突出的地方主要是在衣纹上?仕女图的衣纹画法有八要七忌:要体现人体、要体现重量、
要体现折迭、要体现虚实、要体现动向、要体现牵引、要体
现外力、要体现质感;忌衣纹交叉与呆板、忌衣纹均等与缠
连、忌衣纹重复与等距、忌衣纹平行与交聚、忌衣纹刻齐与
对称、忌衣纹紊乱与松散、忌衣纹呆滞与单调。制图过程中
对一些相似、相近的字符推敲了许久,其中最有特色的应该
是衣袖。
对于背景,其实我做了满屏背景试过(还做了2个),包
括还在林mm身旁放了个花篮,但是感觉不如条幅装的含蕴深
刻,遂还是简而画之。
不是很满意的就是那花锄了,采用黄底色后,锄头不好
用黑色(太深)、灰黑色(太浅)、灰白色(太亮)...最终
只好勉强定成暗天蓝色,锄棒为深绿色,在黄底色下也不是
很显眼,可是用亮绿会破怀整个画面的协调性,用黑色虽显
眼,但是一想到美女不会即使拿把锄头也定会选个不那么粗
糙的,而会选择那种专用的花锄,所以还是定为深绿。但整
体画下来,林mm用来葬花的花锄就不是太突出了。
※ ◣ ▄_ ※
※ ▌ ▎╯_◣ 红 花 ※ 要体现人体 要体现重量
※█ ▎ ▋ = =▎ 消 谢 ※ 要体现折迭 要体现虚实
※ ▊ ▎ ▋ ◤ 香 花 ※ 要体现动向 要体现牵引
※ ▍▏﹒ ▊ ▏ 断 飞 ※ 要体现外力 要体现质感
※﹒▎ ◢╲/◣ 有 飞 ※ 忌衣纹交叉与呆板
※ ▏﹒ ╱ ) 谁 满 ※ 忌衣纹均等与缠连
※ ▊ ﹜ ¦▎ 怜 天 ※ 忌衣纹重复与等距
※ ·. ▋ /@@@@ヘ ※ 忌衣纹平行与交聚
※ ▌べ @╰╮◣ ※ 忌衣纹刻齐与对称
※ ﹒ ▏ ⌒∥ ╮ ※ 忌衣纹紊乱与松散
※ ·. ◥ ╭╯ ◥◣ ※ 忌衣纹呆滞与单调
※ ▊ ╱| | ※
※ ▋/ @ || ﹒ ※
※ / @| | ※ moving_on的黛玉葬花身姿是动态
※黛 ゃ ∥| :|||﹒ ※ 而我所画是身姿是静态
※玉 ∥ ||:|| ゃ ※ 采用立式外态内韵弧回贯动
※葬·.∥ |@| ※ 主线至头而下分为两股
※花 ∥ ||@| | ゆ ※ (即左、右臂)回旋交汇
※ ∥ ·. |:||| ゃ ※ 形成视觉中心
※ゃ∥ . |:|| ゃ ※ 辅线由胸而下贯动至足
※ ∥ ◢///\\\◣ゆ ※
※◥▅▃_ ▆▅▄▅ ﹒·. ※
※ ▆▅ ﹒· . ※
这幅作品,其实就我自我评价来说总体还是满意的,基
本达到了想要的效果,【字符擂台】上说挑战黛玉葬花,其
实是在挑战自我,想看看自己用色块来做究竟能做到什么样
的地步。
Sender: zycw Ladies are also crazy, message area: ASCIIart
Title: I'm crazy about characters. How do I draw Daiyu and Burial Flowers?
Sending station: Wuhan Baiyun Huanghe Station May 25, 2003 01:39:54 Sunday, forwarded
Author's note: This article was originally intended to be a shared appreciation of masterpieces, but I didn't want to
I think it’s better to be more modest, don’t say it’s a masterpiece.
The first choice for drawing the theme of Daiyu Burying Flowers with ASC is of course using lines. See
So many people have painted this way. I always want to interpret it in different ways, such as
Everyone has seen the finished product now, and the reviews are probably half and half. I’m going to boldly describe it here.
I will share my experiences of success and failure so that everyone can draw pictures in the future.
refer to
Since color blocks are used to draw this picture, the form of nature and lines are different.
Similarly, Daiyu Burial Flowers pays attention to the overall effect, so its performance is set to be based on Huang Juan.
Gongbi pastel effect for the background
Ladies’ paintings pay attention to the beauty of line drawing. Therefore, it can be said that line drawing is the basis of the modeling of ladies’ paintings.
Some people once laughed and said that although I used color blocks, it was the lines that really expressed the feeling.
Lines. In fact, the color block paintings drawn by ASC are inseparable from lines. How to use lines?
Color block painting is more distinctive. How to make line characters and color blocks compatible? It is not a color block.
A basic question about drawings. The issue of drawing pictures of ladies is even more important.
The ancient name for the line drawing in the picture of a lady is to build the fetus and establish the bones, emphasizing the bone method with a pen and Qi.
Consistent and connected, the whole is unified, focus on Qi pulse, focus on movement, focus on rhythm, make it breathable.
Express the lady's demeanor and body with power and charm to achieve both deity and form.
The effect of the line expression in the color block painting is particularly prominent in the clothing lines. There are eight things to do and seven taboos in painting the clothing lines of ladies’ paintings. The human body must be reflected and the weight must be reflected.
To reflect folding, to reflect virtuality and reality, to reflect trends, to reflect traction, to reflect
To express external force, texture should be reflected. Avoid overlapping and rigid clothing patterns. Avoid uniform and entangled clothing patterns.
Avoid repeating and equidistant clothing patterns; avoid parallel and intersecting clothing patterns; avoid evenly engraved clothing patterns.
Symmetry. Avoid disordered and loose clothing patterns. Avoid dull and monotonous clothing patterns. During the drawing process
I have been thinking about some similar characters for a long time, and the most distinctive one should be
It's the sleeves
As for the background, I actually tried making a full-screen background and made 2 packages.
Kuo also placed a flower basket next to Ms. Lin, but it didn’t feel as meaningful as the banner outfit.
Carving and painting are still simple
What I am not very satisfied with is the flower hoe. After using the yellow background color, the hoe is not good.
Use black, too dark, black, too light, white, too light...finally
I had no choice but to make it dark sky blue, and the hoe stick was dark green, even on a yellow background.
It's very conspicuous, but using bright green will destroy the coordination of the entire picture. Using black is very conspicuous.
Eyes, but when I think that a beautiful woman can’t even hold a hoe, she will definitely choose one that is not so thick.
Rough, I will choose the special flower hoe, so I still choose dark green, but the overall color is dark green.
After the body painting, the flower hoe used by Ms. Lin to bury the flowers is not too prominent.
The red flower should reflect the human body and should reflect the weight.
Eliminate Xie to reflect folding, to reflect virtuality and reality
Fragrant flowers should reflect trends and traction
﹒ Breaking and flying should reflect external force and texture.
﹒ If you are flying, avoid crossed clothing patterns and stiffness.
﹒ Who is full of taboos about equal clothing patterns and entanglement?
﹜ Lian Tian Avoid repetition and equal spacing of clothing patterns
. @@@@ヘ Avoid parallel and intersecting clothing lines
べ @ Avoid neat and symmetrical clothing patterns
﹒ ⌒ Avoid disordered and loose clothing lines
. Avoid dull and monotonous clothing patterns
@ ﹒
@ moving on Daiyu’s burial posture is dynamic
dai ゃ : ﹒ What I draw is a static body posture
Jade: ゃ adopts vertical outer shape and inner rhyme arc back and forth movement
Burial . @ The main line is divided into two branches from head to bottom.
Flower @ ゆ is the intersection of left and right arms.
. : ゃ forms the center of vision
ゃ . : ゃ auxiliary line runs from the chest down to the feet
ゆ
﹒ .
﹒ .
In fact, in terms of my self-evaluation, this work is generally satisfactory.
This has achieved the desired effect. The character arena said that he challenged Daiyu to bury the flower.
It’s really a challenge to myself. I want to see what I can do using color blocks.
to the point