发信人: zycw (淑女也疯狂), 信区: ASCIIart
标 题: 【佳作共赏析】从黛玉葬花浅谈传统仕女画法
发信站: 武汉白云黄鹤站 (2003年05月25日01:36:25 星期天), 转信
传统仕女画为体现仕女的形象风韵完臻舒美,讲究笔情、墨韵,
而体姿是体现仕女风韵美的关键,传统强调“愈隐愈显”,要“隐里
藏显”,体现窈窕身姿;要“潜在含蓄”,体现其内韵气向与节奏,
使之风韵舒展,因此也称其为仕女的第二大表情。
在塑造体姿时,一定要强调外态体姿与内韵骨气结合,使之同步
相应,有节奏有韵律的回旋呼应,使其体态整体贯一,才能创造出潇
洒舒展之韵美。因此要用ASC来画中国传统仕女图充分体现形体的形、
质、动、势最恰当的当然是用线条。
仕女画的体姿内韵一般以头和手势动向为“主线”,身姿足势为
“辅线”,风带为“贯线”使之回旋相破相贯,把“主线”“辅线”
统合成一整体,才能含味耐看。
┌┬──── ╭-╮─────┬┐
├ ╭╯,╯ ┤ 以 moving_on 黛玉葬花为例
│ ▕╲( ヾ) ╔┴╗
│ ╲、〆 │黛│
│ ╭╲-ヽ、 ╚┬╝ 身姿 立势-外态内韵回聚扬展
│ " ︳\ξ_ ╮ ╔┴╗ 主线由头侧下转至左臂回上至右臂,
│ , \ / )︶ │玉│ 右臂曲而上,再扬展而下,辅线只在足
│ ‘ ╰╯/ ╲ ╚┬╝ 位,协助平衡,并运用贯线使佩饰扬展
│ ~/ ︳ ╲ ╔┴╗ 形成整体节奏韵律。在塑造体态时,按
│ / |\ │葬│ 内韵之回聚扬展,进行组合安排,体资
│ ∕| ; ︳ ъ ╚┬╝ 中心提现不稳定之平衡,先使其不稳定
( | ︳ ╔┴╗ 带有动感,再用佩饰风带飘扬拉力使之
╯ | ∕ / │花│ 平衡,这种不稳定而平衡的身姿颇为婀
│ ’ | | / ‘ ╚┬╝ 娜生动。
│ | | │
│ | | ъ │
│ /| |︳ │
│ .╯/ |︳ │
╱ ╱| // │
ω_╱ ╱ / ╮\__ ┤
.─-',-'-︿_.-︿_╱ ────┴┘
~─"
Sender: zycw Ladies are also crazy, message area: ASCIIart
Title: Appreciation of Excellent Works: A Brief Discussion on Traditional Lady Painting Methods from Daiyu Burying Flowers
Sending station: Wuhan Baiyun Huanghe Station May 25, 2003 01:36:25 Sunday, forwarded
In order to reflect the image of a lady, the traditional lady painting pays attention to the charm of the brush and the charm of the ink.
And body posture is the key to embodying the charm and beauty of a lady. Tradition emphasizes that the more hidden the more visible, the more important it is to hide the inside.
Hidden and visible, embodying the graceful figure; latent and implicit, embodying its inner charm and rhythm.
It makes her charm stretch, so it is also called the second most beautiful expression of a lady.
When shaping the body posture, we must emphasize the combination of external posture and internal rhythm to synchronize them.
Correspondence, rhythmic gyrations and echoes, making the overall body consistent, can create Xiao
Spreading the charm of relaxation, ASC is used to draw traditional Chinese ladies to fully reflect the shape of the body.
Of course, the most appropriate way to express quality and momentum is to use lines.
The inner rhyme of body postures in paintings of beautiful ladies generally takes the movements of the head and gestures as the main lines, and the postures and movements of the feet as the main lines.
The wind belt of the auxiliary line is the through line, so that it rotates and breaks through the main line and the auxiliary line.
Only when integrated into a whole can it be tasteful and attractive.
, take moving on Daiyu Burying Flowers as an example
ヾ
Dai
ヽ body posture, posture, external appearance, internal charm, gathering and spreading
" ξ The main line turns from the head side down to the left arm and back up to the right arm
Jade's right arm is bent upward and then extended downward. The auxiliary line is only at the foot.
Position to assist balance and use the through line to make the jewelry stand out
To form an overall rhythm, press
Burial, gathering and exhibition of inner rhymes, arranging combinations, physical fitness
; ъ The center withdraws an unstable balance. Make it unstable first.
It has a dynamic feel, and then uses the wind belt to make it flutter and pull.
Flower Balance This unstable yet balanced figure is quite graceful.
Na vivid
ъ
.
ω
. ', ' .
"