发信人: wumi@bbs.zixia.net (五迷), 信区: ASCIIart
标 题: Re: 百花图鉴（三）辛夷（淡彩版）
发信站: 大话西游 (Tue May 20 21:54:47 2003)
看了movingon兄的话后有一种得遇知音的感觉
放开本人的拙作不谈
但就ANSII艺术本身来讲：
色块画由于telnet颜色的限制，
表现卡通画和各种广告用画等以纯色为主的题材还能发挥的很好
但如果想表现那种真正的重彩效果则很难
很喜欢茄子姐姐的丰子恺系列，用色有原画的那种感觉
但说句有些不敬的话——那有一半是得益于原画的用色本就不复杂
而“真正的”中国传统画想要用色块表现就只能走水墨的路子了
比如最近flubber的那幅“江雪”就十分成功（实际上是色块和线条的结合）
现在大陆的ANSIIer用线条表现中国传统画的大有人在，而且好的作品也有很多
比如前些日子看到的reo兄的一幅“李白”，
而movingon兄这方面的佳作也不少，我本人最喜欢的就是那幅“黛玉藏花”了
大家的画各有千秋，每个人的风格都不一样，
这是好事，但总感觉到没有像台湾的色块画那样系统
可能关键是缺少高层次的交流吧
好了，扯了这么多改扁扁自己的画了——
这个系列作品参考的原图是工笔白描（原画网上没有，茄子姐姐要失望了）
最后的效果也向那个方向发展——以细腻为主
从现在的效果来看后两幅显得乱了，可能是个别的符号选的不够谨慎所至吧
而现在的淡彩版其实是一种“补救措施”
Sender: wumi@bbs.zixia.net Wumi, letter area: ASCIIart
Title: Re: Hundred Flowers Illustrated Book Three Xinyi Light Color Edition
Sending site: Westward Journey Tue May 20 21:54:47 2003
After reading what Brother Movingon said, I felt like I had met a close friend.
Let go of my humble work
But as far as ANSII art itself is concerned
Color block painting due to telnet color limitations
It can also be used very well to express cartoons and various advertising paintings and other themes that are mainly solid colors.
But if you want to express the real heavy color effect, it is difficult
I really like Sister Eggplant’s Feng Zikai series. The colors have the feeling of original paintings.
But to be disrespectful, half of it is due to the fact that the colors used in the original painting are not complicated.
But if you want to use color blocks to express true traditional Chinese painting, you can only use ink and wash.
For example, the recent painting by Flubber, Jiang Xue, is very successful. It is actually a combination of color blocks and lines.
Nowadays, there are many ANSIIers in mainland China who use lines to express traditional Chinese paintings, and there are also many good works.
For example, I saw a painting by Brother Reo a few days ago. Li Bai
Brother Movingon also has many excellent works in this area. My favorite is the painting Daiyu Hidden Flowers.
Everyone’s paintings have their own merits. Everyone’s style is different.
This is a good thing, but I always feel that it is not as systematic as Taiwan’s color block painting.
Maybe the key is the lack of high-level communication.
Okay, I’ve gone through so much and changed Bian Bian’s own painting.
The original drawings that this series of works refer to are meticulous white drawings. The original drawings are not available online. Sister Eggplant will be disappointed.
The final effect also develops in that direction, mainly delicate.
Judging from the current effect, the last two pictures look messy. It may be that the individual symbols were not chosen carefully enough.
The current light color version is actually a remedial measure
