发信人: amida (阿弥陀佛), 信区: ascii_club
标 题: Re: 起个话题:)
发信站: BBS 大话西游站 (Mon Dec 29 17:08:07 2008), 站内
会有如此不同的发展
我想主要是使用环境与主流传承的缘故吧
就使用环境来说
由于大陆是简体系统
台湾属繁体系统
就字符来说,简体系统所能应用于线条创作上的字符更多
虽然繁体也是能用,但大多数的人并不会想到,也不易用于创作
不过台湾这边双色字的支援也算让多数人可以有更多的选择表现
ASCII艺术也是源于单纯字符拼凑创作表现,(日本的颜文字亦属ASCII艺术)
而后来加入前景背景颜色有了色块的概念发展成ANSI艺术
(以上仅是将个人所知转为简略叙述)
大陆方面在ASCII的发展可说是十分成熟
然而台湾,虽然早期也是以字符创作为主的ASCII艺术走向
是色块,有兴趣的便跟著开始色块创作
于是,纯字符线条渐渐的被埋没,
完全在色块方面发展
(当然也是有附带些许线条,非纯色块作品的玩家在)
2003年因为flubber兄(跳跳马)与lstar兄
将线条作品带至台湾站台冲击了我们视觉感官的关系
引起了数位朋友对大陆ASCII艺术的兴趣而前来交流
个人认为该次交流是一次极其重要的交流
暂笔至此,有事先出门。(待补完)
:)
【 在 justify (杂杂) 的大作中提到: 】
: 为什么台湾字符创作主要以色块为主
: 而线条在大陆更为繁荣?
Sender: amida Amitabha, message area: ascii club
Title: Re: Start a topic
Sending station: BBS Westward Journey Station Mon Dec 29 17:08:07 2008 , within the station
There will be such different developments
I think it’s mainly due to the usage environment and mainstream inheritance.
In terms of usage environment
Since mainland China is a simplified system
Taiwan is a traditional Chinese system
As far as characters are concerned, the simplified system can be applied to more characters in line creation.
Although traditional Chinese can also be used, most people will not think of it and it is not easy to use it in creation.
However, Taiwan’s support for two-color characters allows most people to have more choices and expressions.
ASCII art is also derived from the creative expression of simple characters. Japanese kaomoji also belongs to ASCII art.
Later, the foreground and background colors were added, and the concept of color blocks developed into ANSI art.
The above is just a summary of personal knowledge.
The development of ASCII in mainland China can be said to be very mature.
However, in Taiwan, although the early ASCII art trend was mainly character creation,
It’s a color block. If you are interested, you can start creating color blocks.
As a result, pure character lines were gradually buried
Developed entirely in terms of color blocks
Of course, there are also players who have works with some lines and non-solid color blocks.
In 2003, Brother Flubber jumped on the vault and Brother lstar
Bringing line works to the Taiwan platform impacts the relationship between our visual senses
It aroused the interest of several friends in mainland ASCII art and came to communicate.
Personally, I think this exchange is an extremely important one
This is the end of my writing. I have to go out beforehand. To be completed.
:
Mentioned in justify Zaza's masterpiece:
: Why Taiwanese character creation mainly uses color blocks
: Lines are more prosperous in mainland China