发信人: onlyone (戚夜梓|早点回家), 信区: ASCIIArt
标 题: 点评 for helene
发信站: 北大未名站 (2009年05月11日13:15:28 星期一), 转信
很抱歉前一段时间的匆忙,基本上看的多说的少。实际上香香的作品我之前看了好
几遍,甚是欣喜,而且本身参展的女生就少,点评怎能少了香香一份呢!
香香其人其画,最早的时候是我贴去o版的好像(我在o版介绍了好多人= =...)。
看香香的作品总是会让我想起画ANSI最初的那些时候,那些单纯的为爱而画的年代
,本身的想法和技术都还是很简单,但是那种单纯的静好已经透出屏幕直达观者心
里,无需言辞,以至于平日里以严苛挑剔出名的某茄也对香香的作品失去了抗拒能
力。虽然九月历的时候似乎也有刻意模仿的痕迹,但是静静的感觉依旧从纸背透出
,并不令人反感。
趣味,其实是ANSI作品区别于其他作品的一大特点:论描绘细节论创新立意,字符
哪有PS来的犀利,而要说潇洒写意,鼠标又怎么比的上铅笔!香香的作品也让我也
对字符运用进行了一次反思,有时候在技法上面我们走的太远,早已经忘却了手持
鼠标的原因吧。特此共勉,让我们感谢在嘈杂的世界里还有静静画图的香香。
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Sender: onlyone Qi Yezi Go home early, message area: ASCIIArt
Title: Review for helene
Sending station: Peking University Weiming Station May 11, 2009 13:15:28 Monday, forwarded
Sorry for the rush a while ago. Basically, I read more and talk less. In fact, I have read Xiangxiang’s works well before.
I'm very happy after reading it several times. Besides, there are very few girls participating in the exhibition. How can I leave out a review like Xiangxiang?
Xiangxiang, its people and its paintings were first posted by me on the forum. It seems that I introduced many people on the forum...
Looking at Xiangxiang’s works always reminds me of the early days when I was painting ANSI, those days when I was painting purely for love.
The ideas and techniques are still very simple, but the pure tranquility has penetrated the screen and reached the hearts of the viewers.
There is no need for words, so much so that Xie Qie, who is usually known for being strict and picky, also lost his ability to resist Xiang Xiang’s works.
Although there seems to be traces of deliberate imitation in the nine-month calendar, the quiet feeling still comes out from the back of the paper.
not offensive
Interesting is actually a major feature that distinguishes ANSI works from other works, both in terms of description details and innovative ideas and characters.
It's not as sharp as PS. And when it comes to freehand brushwork, how can a mouse compare to a pencil? Xiangxiang's works also make me
A reflection on the use of characters. Sometimes we go too far in terms of techniques and have long forgotten about hand-holding.
It’s because of the mouse. Let’s encourage each other. Let’s be grateful for the fragrance of drawing quietly in this noisy world.