Sender: linzhihuan BigHuan Karl Marx, message area: ANSI Title: About constructing line drawings by downye Sending station: Sun and Moon Guanghua May 03, 2009 23:17:09 Sunday, in-site mail Sender: downye Xiaodang, message area: ASCIIart Title: Re: Xiaodang, please answer the reporter’s questions Sending station: Shuimu Community Sun May 3 21:54:08 2009 , within the station This question is so difficult... I still have to emphasize that I feel that I actually have no technical style. It’s not like the hard lines of Siji Temple or O Temple. Xingyun is not as fresh as Conghua senior...it's very messy anyway. As for the construction of line drawings, in terms of brushwork, I feel that I need to ensure the unity of the brush and the consistency of the lines, otherwise There will be redundant situations. The continuity of lines is very important, but this is often inconsistent with unity, such as the turning points of lines. It’s really a question of whether to leave blank space or add dots for continuity. I think if it’s a large-scale work, it can be done a little bit. Micro-ignoring details and ensuring consistency. In small-format works, dots and other connections cannot be added at will, because lines are relatively more Concentration and adding some points will make it more complicated, so sometimes I will use light and shadow to cover up some parts that need continuity and details. It's reasonable, like some of the ones in blessing. In terms of proportion, I really don't understand perspective, which also caused Zilong's behavior. Bad pen, so my paintings are basically two-dimensional works without perspective. In terms of the proportion of picture elements, I think most novices can do it. I choose many elements to complete my painting. My own experience, but in most cases, it does not conform to the traditional Chinese aesthetic principles. The rational artistic conception and aura need to be left empty to express, but the empty space cannot be arbitrarily empty. Although I am... the overall picture The center of gravity needs to be balanced. The content, quantity, size and position of the drawn elements need to be appropriate. I do it very poorly myself. Mentioned in BOneFiveER's masterpiece by Mizuki Novice One: Then let me ask one question Does Xiaodang have any special ideas on how to construct line drawings? For example, the proportion of picture elements or the processing of detailed characters Any ideas are welcome ' ,  ノ < ㄗ ワ マ ㄣ 乀 ㄟ ㄐ ㄆ ㄅㄆ ーノ レ ノ force Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 10.85.101.250]