发信人: anka (安卡), 信区: ASCIIart
标 题: Re: 问题2
发信站: 四川大学蓝色星空站 (Sun May 17 22:08:52 2009), 站内
呃...没有地下作品的。
进步快?大概是早期作品太矬反差的吧...lol
其实看各位前辈的成长轨迹,半年多的时候,都比较成熟了,好像。
开始的时候确实借鉴了斯基前辈的风格,大概因为直线条比较容易衔接
吧,后来看的作品多了,才敢用一些特殊字符(其实斯基前辈的特殊字符也
用的很讲究的啊...), 还有从大家的讨论中吸取了不少经验。比如最后一
幅摇篮,就是看了zycw关于背景的评论才修改的。
不知道这么说算不算是回答了这个问题...
【 在 haoyuan (@bdwm) 的大作中提到: 】
: anka mm的作品ms也不是特别多(= =~,除非有私藏的地下。。。),可为什么就展
出
: 的看来,进度是如此的神速呢?技法成熟时如此的快,构图越来越令人膜拜,气场越来越
可
: 怕……qie还说,anka mm超过了siji,如果一开始是以siji为榜样模仿学习,那后来又是
如
: ...................
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Sender: anka 安卡, message area: ASCIIart
Title: Re: Question 2
Sending station: Sichuan University Blue Star Station Sun May 17 22:08:52 2009, within the station
Uh...there are no underground works
I'm making rapid progress. Maybe it's because my early works were too contrasty...lol
In fact, looking at the growth trajectory of the seniors, it seems that they have become more mature after more than half a year.
At the beginning, I did draw lessons from the style of senior Ski, probably because straight lines are easier to connect.
Well, after I read more works, I dared to use some special characters. In fact, Ski-sempai’s special characters are also
It's very sophisticated... and I learned a lot from everyone's discussions, such as the last one
The cradle was modified after reading zycw’s comments about the background.
I don’t know if saying this is an answer to this question...
Mentioned in haoyuan @bdwm's masterpiece:
: Anka mm’s works are not particularly numerous, unless there is a private collection underground, why would they be exhibited?
out
: It seems that the progress is so rapid, the technique matures so quickly, the composition becomes more and more admirable, and the aura becomes more and more powerful.
Can
: I’m afraid, qie also said that anka mm surpassed siji. If at the beginning, I followed siji as an example to imitate and learn, then later
like
:......................