Sender: onlyone Qi Yezi This is really ironic, message area: ASCIIArt Title: Review for wskaka Sending station: Peking University Weiming Station May 15, 2009 04:31:12 Friday, forwarded In fact, as the years go by, people become more and more impetuous. When reading works, they are not as calm as before, and they no longer have much patience. Let’s dig out the highlights. Alas, I’m going to lose my reputation because I’m always in need of reviews. And Kakadian’s works must be carefully reviewed. Commentary, so I took a late night when no one was around to write these things down in the laboratory. I always talk late at night. It's going to be a little abnormal. It's better not to blame Kakadian... In fact, the things that need to be discussed in detail are often mentioned one by one in the works. Anyway, the articles are mainly written for Kakadian. For one person, there is no need to repeat the details. In fact, the color block thing is really laborious and unpleasant. In terms of composition, any improper proportion will make the color block work into a disaster, and the impact of large areas of color will Features also require painters not to be sloppy in choosing colors. Anime characters are indeed early cuts of many color block masters. Starting point: Bright color matching and detailed facial processing can very well train the abilities of novices. Not allowed here. If you don’t admire Kakadian, the speed of growth is really staggering. Looking at Kakadian's works, you can often see his thoughts between the lines, whether it is the close-up treatment of the eyes. The transition of colors is still filled with broken characters. Although there are still reference elements from the works of predecessors in Kakadian In my opinion, the technique has already taken shape. At least in terms of the layout of color blocks, it can be easily grasped. And this is also One of the biggest difficulties in color block work is that Kakaden respects the color settings of the original image too much to a certain extent. Therefore, the painting often has too much color. From my own experience, when painting "Mengli", Although this is a line work, because of the difficulty in choosing color, I did not hesitate to change my hair to purple. It is common to sacrifice the original image for the overall effect. I hope Kakadian can be more liberal in this regard. In fact, the reason why most people in the same field do not draw color blocks can always be attributed to one word: "lazy". If a line drawing I can do this in half an hour, but the same type of color block would take me an entire afternoon. Why not? When it comes to drawing lines, over time, an unfounded timidity develops, which is really another kind of sad craftsmanship. Although I am a typical lazy person, I still shamelessly encourage Kakadian. The growth of any master must be accompanied by With endless experiments and the pain of failure, it is obvious that experience is the fundamental source of all techniques. Be patient and make some modifications and boldly try some more to drive the rise of a new generation of color blocks in mainland China. I think Kakadian is just around the corner. Waitable