发信人: percyshelley (Can Spring Be Far Behind), 信区: ANSI
标 题: 点评 for percyshelley by onlyone@BDWM
发信站: 日月光华 (2009年05月07日22:02:50 星期四), 站内信件
那我就照惯例给出雪莱童鞋的点评,亮亮童鞋的点评只好顺延了皑皑,对不起亮
亮....
关于雪莱殿的图,我的第一观感就是:和我的用色观差距比较大(尤其是在刚刚
看完xiaoX童鞋的作品后),一则是对比色用的比较多(比如说黄蓝配的武侠进版
,红蓝配的政治进版),二则是主色调差异,比如说我一般是不会拿红色作为主
色调的。然则配色这种风格因人而异,确实不好说这样就是不合适的,但至少可
以给出一些建议。【忽悠开始请注意】首先呢,这个亮灰色是一种很好用的色调
,如果主色基调不能确定其实可以考虑,因为它比较搭(当然如果画面整体比较
亮的话也应该考虑暗白色);第二个就是推荐用一些固定的色调搭配,具体可以
参考未名教程第三章阅读材料(不要打我....)。
此外雪莱殿的问题就不大了,毕竟还算是新人,进步已经是相当的神速,包括字
符的细节处理和整体一致性,都做的不错了。其实我在版面也已经指出,雪莱殿
的透视构图给气场加分颇多,原本以为是刻意为之,没想到是无心插柳囧——不
过雪莱殿真的可以朝这方面的构图多努力。<Who Paints>风格的作品,如果想要
往这方面发展,可以考虑原创构思构图,走上平面设计道路——这就又是另一种
气场了,具体范例请参照猪猫前辈
哦对了突然想说一下<Who Paints>的问题,事实上可以尝试这样的idea,就是下
部的色块改为线条钩边,而两只手分别用亮白和亮灰区分开,不知道可不可行呢
--
Auguries of Innocence
To see a World in a Grain of Sand 一粒沙砾里看出世界
And a Heaven in a Wild Flower, 一朵野花里看出了天
Hold Infinity in the palm of your hand 手掌里握着无穷,
And Eternity in an hour. 一小时里藏着久永。
————Williams Blake
※ 来源:·日月光华 bbs.fudan.edu.cn·[FROM: 222.70.75.243]
Sender: percyshelley Can Spring Be Far Behind , Area: ANSI
Title: Review for percyshelley by onlyone@BDWM
Sending site: Sun and Moon Guanghua Thursday, May 07, 2009 22:02:50, site mail
Then I will give the review of Shelley's children's shoes as usual. The review of Liangliang's children's shoes has to be postponed. Sorry Liang.
Bright....
My first impression about the picture of Shelley Hall is that it is quite different from my view of color, especially just now
After reading the works of xiao
The political advancement of red and blue. The second is the difference in main colors. For example, I usually don’t use red as the main color.
But the style of color matching varies from person to person. It’s really hard to say that this is inappropriate, but at least it can
To give some suggestions, please pay attention to the scammers. First of all, this bright gray is a very useful tone.
If you are not sure about the main color tone, you can actually consider it because it matches well. Of course, if the overall picture is comparable,
If it is bright, you should also consider dark white. The second one is to recommend some fixed color combinations. Specifically, you can
Refer to the reading material of Chapter 3 of the Weiming Tutorial. Don’t hit me....
In addition, Shelley Hall’s problem is not that big. After all, he is still a newcomer, and his progress has been quite rapid, including words.
The detail processing and overall consistency of the talisman are well done. In fact, I have also pointed out Shelley Hall on the page.
The perspective composition adds a lot to the aura. I thought it was done deliberately, but I didn’t expect it to be unintentional. No.
If you want to work in the style of <Who Paints> after passing the Shelley Hall, you can really work harder on this aspect of composition.
To develop in this area, you can consider original ideas and compositions and embark on the path of graphic design. This is another kind of
Aura. Please refer to Senior Pig Cat for specific examples.
Oh, by the way, I suddenly want to talk about the issue of <Who Paints>. In fact, you can try this idea, which is the following
The color block at the bottom is changed to a hooked line, and the two hands are distinguished by bright white and bright gray respectively. I don’t know if it is feasible.
Auguries of Innocence
To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
Williams Blake
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 222.70.75.243]