发信人: percyshelley (Can Spring Be Far Behind@rygh), 信区: ASCIIart
标 题: Re: 问题2
发信站: 水木社区 (Thu May 7 20:59:58 2009), 站内
雪梨mm是谁?我是雪莱gg阿
无妨,我代她回答(话说她长得pp不?)。我其实对于光影、亮暗很没有感觉的
不过我觉得茄说得非常有道理,用暗色来烘托亮色。大面积高亮不是不能使用,用在许多卡
通图上效果还是很好的,记得Saule有过这样的尝试;但在大多条件下,保持暗色比较多一
些,然后选取一些地方做亮色,效果就会非常好(好像等于没回答,其实也没什么心得=。
=)觉得可以看看风梦的那张建筑图,亮暗能学到不少
【 在 L4KevinX (石寺·戒八卦) 的大作中提到: 】
: 请雪梨mm谈谈现在对于亮暗色的看法
--
Sender: percyshelley Can Spring Be Far Behind@rygh , message area: ASCIIart
Title: Re: Question 2
Sending site: Shuimu Community Thu May 7 20:59:58 2009 , within the site
Who is Sydney MM? I am Shelley GG.
It doesn't matter, I'll answer for her. She's pretty. I actually have no sense of light and shadow.
But I think Qie’s words are very reasonable. Use dark colors to highlight bright colors. Highlighting large areas is not unusable. It is used in many cards.
The effect on the overall picture is still very good. I remember Saule tried this before, but under most conditions, it is better to keep the dark color.
Then select some places to make bright colors, and the effect will be very good. It seems that there is no answer. In fact, I have no experience.
I think you can learn a lot by taking a look at Feng Meng’s architectural drawing of light and dark.
Mentioned in the masterpiece of L4KevinX Shisi Jie Bagua:
: Please tell Ms. Sydney about your current views on light and dark colors.