发信人: L4KevinX (十四||我又开始纠结了), 信区: ASCIIart
标 题: [合集] [色块作品]佐为
发信站: 水木社区 (Thu May 22 23:53:36 2008), 站内
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vivibird (我离开我自己|像倦鸟归去留下的空寂) 于 (Mon Apr 28 20:56:15 2008) 提到:
赞美..
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:04:46 2008) 提到:
头发很飘逸。。。
个人意见:
眉毛附近的几个~,其实可有可无,反正我个人是不太喜爱这个字符,总觉得不好搭配,容易有突兀感
前面的那只手,姿势有点。。。容易让人想起某通用动作。。。
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
☆─────────────────────────────────────☆
Kieslowski (悲凉啊) 于 (Mon Apr 28 21:18:03 2008) 提到:
觉得帽子上的︻︼几个字符有点奇怪,无名指的姿势感觉还是很不错的。
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 头发很飘逸。。。
: 个人意见:
: 眉毛附近的几个~,其实可有可无,反正我个人是不太喜爱这个字符,总觉得不好搭配,容易有突兀感
: ...................
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soulfox ( sososo) 于 (Mon Apr 28 21:18:43 2008) 提到:
表现帽子上的褶皱ms很不容易
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 觉得帽子上的︻︼几个字符有点奇怪,无名指的姿势感觉还是很不错的。
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L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:21:29 2008) 提到:
那几个括号我觉得还行
想表现衣摺并不容易
反倒是那个“
个人不太接受
可能我比较纯粹
不到万不得已的时候
我是不用色块线条混搭效果的
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 觉得帽子上的︻︼几个字符有点奇怪,无名指的姿势感觉还是很不错的。
☆─────────────────────────────────────☆
Kieslowski (悲凉啊) 于 (Mon Apr 28 21:21:50 2008) 提到:
我觉得可以为整体效果牺牲一点细节。
【 在 soulfox ( sososo) 的大作中提到: 】
: 表现帽子上的褶皱ms很不容易
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legendspirit (legendspirit) 于 (Mon Apr 28 21:24:14 2008) 提到:
其实有的时候不用那么的在意真实地再现
因为画漫画的时候就已经把生活中真实的场景做过艺术加工了
所以画ansi我觉得也不一定要真的皱成什么样
【 在 soulfox ( sososo) 的大作中提到: 】
: 表现帽子上的褶皱ms很不容易
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Kieslowski (悲凉啊) 于 (Mon Apr 28 21:25:10 2008) 提到:
我也不是很喜欢用~这个字符,位置不错,可惜长的不太好,大概是因为
我用曲线用的比较少吧,感觉不是很协调。
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 头发很飘逸。。。
: 个人意见:
: 眉毛附近的几个~,其实可有可无,反正我个人是不太喜爱这个字符,总觉得不好搭配,容易有突兀感
: ...................
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BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:26:51 2008) 提到:
我觉得ˊˋ不错,简单又有方向
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 我也不是很喜欢用~这个字符,位置不错,可惜长的不太好,大概是因为
: 我用曲线用的比较少吧,感觉不是很协调。
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soulfox ( sososo) 于 (Mon Apr 28 21:27:29 2008) 提到:
其实色块和字符搭配有的时候能起到很好的效果,
能实现很多色块无法完成的效果,或者是优化色块实现的效果。
这个问题上sylow前辈很有经验的
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 那几个括号我觉得还行
: 想表现衣摺并不容易
: 反倒是那个“
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:27:41 2008) 提到:
同意
尤其是色块
感觉大多数时候还是以整体效果为主的
(那些缝啊缝啊。。。)
局部的一两个字符的到位如果是以牺牲整体河蟹度为代价
就不太美妙了
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 我觉得可以为整体效果牺牲一点细节。
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:28:40 2008) 提到:
其实效果还是不错的。。。。
老生常谈了,关于横线的画法。。。。但是我觉得用到的实在太少了
______▁▂--
▔ ̄
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 觉得帽子上的︻︼几个字符有点奇怪,无名指的姿势感觉还是很不错的。
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:29:12 2008) 提到:
对的,我也想说,比如他很多作品都是的,F1啊海贼王啊
【 在 soulfox ( sososo) 的大作中提到: 】
: 其实色块和字符搭配有的时候能起到很好的效果,
: 能实现很多色块无法完成的效果,或者是优化色块实现的效果。
: 这个问题上sylow前辈很有经验的
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:29:55 2008) 提到:
我从来没有用过这种横线画法,粗了点
【 在 BigHuan (BigHuan@RYGH) 的大作中提到: 】
: 其实效果还是不错的。。。。
: 老生常谈了,关于横线的画法。。。。但是我觉得用到的实在太少了
: ______▁▂--
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:30:38 2008) 提到:
深有感触
但由于某人的懒惰。。。。
一般来讲需要混搭的时候
我都首选横竖斜线
比较容易和色块融为一体
印象里我好想没用过带笔锋的那些字符做混搭
配不好的时候觉得异常突兀
【 在 soulfox ( sososo) 的大作中提到: 】
: 其实色块和字符搭配有的时候能起到很好的效果,
: 能实现很多色块无法完成的效果,或者是优化色块实现的效果。
: 这个问题上sylow前辈很有经验的
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:34:13 2008) 提到:
我是个粗人。。。一般都
▁▂▃▄▅▆▇
▁▂▃▄▅▆▇
【 在 BigHuan (BigHuan@RYGH) 的大作中提到: 】
: 其实效果还是不错的。。。。
: 老生常谈了,关于横线的画法。。。。但是我觉得用到的实在太少了
: ______▁▂--
: ...................
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:35:58 2008) 提到:
恩。。。我宁可不连续
【 在 soulfox ( sososo) 的大作中提到: 】
: 我从来没有用过这种横线画法,粗了点
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:36:42 2008) 提到:
space
D.N.
by sylow
| /|╱/ -╱" ︿_ _ |
| |\∕<"∥╱ ╱< -╱ ,|
| _ ﹨∧/_"_-"/╱∥.<-\ |
| | ﹨ __ _ Ⅱ | | _ Ⅱ __ \oY,\ / "╮﹨> |
| |·| |__ /_\ =㈩= |_| |\ | /.\ =㈩= |__ _√}/ =,╲"/
\|﹨_|
| |_/ |__ | | Ⅱ | | | \| \_/ Ⅱ |__ /_▁レ'/<__╱" ┃╱
|
| ,-=︻◣~ """" ╱ |
| / ╱∕"/∥," / |
| /╱|/│/\| -↓ |
| ▏/║|/︿▏/ > ⊿ (|
| ,▁▃◣▄▂▁ _ / "|_|▕ ) P/△ /丫|
| "︼ ▼◤▋,▇' , y" ╱/ ﹨\ ,YX"VVV╯/ |
| ▃\︼◤﹂" ▇ ^ ─ = _),o //(_︺ M↙ |
| ◢▁◣ ,◢Y◤▆ />-⺌>╱ ╱ ︶ ╲ |
| ▋▃◣ ,||◤ \,o_~/⊿ / \|
| ,◤" ◢"|| 卌╱ vㄣ} ▕|
| ◢\◥▍▄▂▄▅▆/▊"y / y"╱,\_ _╱> _/|
| ◥◣\▍◤/╱,="/▃◥ y" V"="︿_\_><__/ /╮|
| | ◣◥/ ∥\◢▅ y" ╱=-)△ ╭╯\||
| /◣◥"\◤ ◤ y" (╯/=\ⅢⅢ/",//|
| /◤/\◥ \ ◤▂︻︼" \╮"⌒╭╱/)|
| ▂︻︼︻▂︻︼◤▃▆◣ ︶ ︶ ╯ |
|,y"_ "╱ )<▆◢▃▅▃▁ |
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
深有感触
但由于某人的懒惰。。。。
一般来讲需要混搭的时候
我都首选横竖斜线
比较容易和色块融为一体
印象里我好想没用过带笔锋的那些字符做混搭
配不好的时候觉得异常突兀
【 在 soulfox ( sososo) 的大作中提到: 】
: 其实色块和字符搭配有的时候能起到很好的效果,
: 能实现很多色块无法完成的效果,或者是优化色块实现的效果。
: 这个问题上sylow前辈很有经验的
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:36:50 2008) 提到:
看其中的苹果和手
,▁▃◣
"︼ ▼◤
▃\︼◤﹂"
Y◤▆
苹果的︼表现出了苹果的弧线,
特别妙的是那个" 把苹果的弧线和高光都刻画得惟妙惟肖
最妙的是其手上的那个▼,不知道大家注意到没有?神来啊神来
以上由亲爱的sylow大侠提供。。。
【 在 soulfox ( sososo) 的大作中提到: 】
space
D.N.
by sylow
| /|╱/ -╱" ︿_ _ |
| |\∕<"∥╱ ╱< -╱ ,|
| _ ﹨∧/_"_-"/╱∥.<-\ |
| | ﹨ __ _ Ⅱ | | _ Ⅱ __ \oY,\ / "╮﹨> |
| |·| |__ /_\ =㈩= |_| |\ | /.\ =㈩= |__ _√}/ =,╲"/
\|﹨_|
| |_/ |__ | | Ⅱ | | | \| \_/ Ⅱ |__ /_▁レ'/<__╱" ┃╱
|
| ,-=︻◣~ """" ╱ |
| / ╱∕"/∥," / |
| /╱|/│/\| -↓ |
| ▏/║|/︿▏/ > ⊿ (|
| ,▁▃◣▄▂▁ _ / "|_|▕ ) P/△ /丫|
| "︼ ▼◤▋,▇' , y" ╱/ ﹨\ ,YX"VVV╯/ |
| ▃\︼◤﹂" ▇ ^ ─ = _),o //(_︺ M↙ |
| ◢▁◣ ,◢Y◤▆ />-⺌>╱ ╱ ︶ ╲ |
| ▋▃◣ ,||◤ \,o_~/⊿ / \|
| ,◤" ◢"|| 卌╱ vㄣ} ▕|
| ◢\◥▍▄▂▄▅▆/▊"y / y"╱,\_ _╱> _/|
| ◥◣\▍◤/╱,="/▃◥ y" V"="︿_\_><__/ /╮|
| | ◣◥/ ∥\◢▅ y" ╱=-)△ ╭╯\||
| /◣◥"\◤ ◤ y" (╯/=\ⅢⅢ/",//|
| /◤/\◥ \ ◤▂︻︼" \╮"⌒╭╱/)|
| ▂︻︼︻▂︻︼◤▃▆◣ ︶ ︶ ╯ |
|,y"_ "╱ )<▆◢▃▅▃▁ |
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
深有感触
但由于某人的懒惰。。。。
一般来讲需要混搭的时候
我都首选横竖斜线
比较容易和色块融为一体
印象里我好想没用过带笔锋的那些字符做混搭
配不好的时候觉得异常突兀
【 在 soulfox ( sososo) 的大作中提到: 】
: 其实色块和字符搭配有的时候能起到很好的效果,
: 能实现很多色块无法完成的效果,或者是优化色块实现的效果。
: 这个问题上sylow前辈很有经验的
: ...................
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:38:44 2008) 提到:
-.-
但是。。。线条更难画
__
``-.__
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 我是个粗人。。。一般都
: ▁▂▃▄▅▆▇
: ▁▂▃▄▅▆▇
: ...................
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:40:35 2008) 提到:
啊~~果然牛!~
其实三角我没太明白什么意思。。。不过
︼
▆
确实很赞。。。
【 在 soulfox ( sososo) 的大作中提到: 】
: 看其中的苹果和手
: ,▁▃◣
: "︼ ▼◤
: ...................
☆─────────────────────────────────────☆
Kieslowski (悲凉啊) 于 (Mon Apr 28 21:40:48 2008) 提到:
右边数第二个粗了,其他的还行吧。
对了,扯点远的...大家看yahoo前辈的线条是什么感觉?我觉得看局部很
乱,什么字符都用,也不怎么在乎形状,但是整体效果往往很好,是不是一幅
画整体都不注重细节的话,看的时候也就不在意了?
【 在 soulfox ( sososo) 的大作中提到: 】
: 我从来没有用过这种横线画法,粗了点
☆─────────────────────────────────────☆
Kieslowski (悲凉啊) 于 (Mon Apr 28 21:43:24 2008) 提到:
老大,你这不是故意气我这种只会画线条的么...
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 我是个粗人。。。一般都
: ▁▂▃▄▅▆▇
: ▁▂▃▄▅▆▇
: ...................
☆─────────────────────────────────────☆
legendspirit (legendspirit) 于 (Mon Apr 28 21:43:44 2008) 提到:
手掌凹进去的那部分
【 在 BigHuan (BigHuan@RYGH) 的大作中提到: 】
: 啊~~果然牛!~
: 其实三角我没太明白什么意思。。。不过
: ︼
: ...................
☆─────────────────────────────────────☆
zoelin (邹艺琳,你真的没那么重要) 于 (Mon Apr 28 21:44:16 2008) 提到:
...拉出去砍了,,,,
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 老大,你这不是故意气我这种只会画线条的么...
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:44:40 2008) 提到:
哦~~
【 在 legendspirit (legendspirit) 的大作中提到: 】
: 手掌凹进去的那部分
☆─────────────────────────────────────☆
brivia (洞庭湖的麻雀) 于 (Mon Apr 28 21:44:57 2008) 提到:
太帅了 佐为
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:45:02 2008) 提到:
恩,我看yahoo前辈的画也遇到同样的疑问。
不过这就是每个画手各自的风格嘛
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 右边数第二个粗了,其他的还行吧。
: 对了,扯点远的...大家看yahoo前辈的线条是什么感觉?我觉得看局部很
: 乱,什么字符都用,也不怎么在乎形状,但是整体效果往往很好,是不是一幅
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:46:06 2008) 提到:
那个苹果相当钟爱
不过手上的Y
就有点那啥
个人意见
【 在 soulfox ( sososo) 的大作中提到: 】
: 看其中的苹果和手
: ,▁▃◣
: "︼ ▼◤
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:46:09 2008) 提到:
无缝看
是手凹进去的部分,同时将小手指也刻画出来了,很神奇吧
【 在 BigHuan (BigHuan@RYGH) 的大作中提到: 】
啊~~果然牛!~
其实三角我没太明白什么意思。。。不过
︼
▆
确实很赞。。。
【 在 soulfox ( sososo) 的大作中提到: 】
: 看其中的苹果和手
: ,▁▃◣
: "︼ ▼◤
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:47:00 2008) 提到:
6064
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 老大,你这不是故意气我这种只会画线条的么...
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 21:47:12 2008) 提到:
果然。。。Y也是一样的。。。
【 在 soulfox ( sososo) 的大作中提到: 】
: 无缝看
: 是手凹进去的部分,同时将小手指也刻画出来了,很神奇吧
: 啊~~果然牛!~
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:47:15 2008) 提到:
无缝查看看看呢?
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 那个苹果相当钟爱
: 不过手上的Y
: 就有点那啥
: ...................
☆─────────────────────────────────────☆
soulfox ( sososo) 于 (Mon Apr 28 21:49:06 2008) 提到:
Y的右边那一竖刻画出大拇指鱼祭部分的曲线
左边那一小支刻画出掌纹的一条
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 那个苹果相当钟爱
: 不过手上的Y
: 就有点那啥
: ...................
☆─────────────────────────────────────☆
L4KevinX (十四||听版大的话,跟版二走) 于 (Mon Apr 28 21:50:58 2008) 提到:
我能理解这种匠心
问题就是出在我对带“笔锋”字符的偏见。。。
【 在 soulfox ( sososo) 的大作中提到: 】
: Y的右边那一竖刻画出大拇指鱼祭部分的曲线
: 左边那一小支刻画出掌纹的一条
☆─────────────────────────────────────☆
tRNA (Asciiart版 水木光华两站字符艺术联展) 于 (Mon Apr 28 21:52:43 2008) 提到:
帅啊
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
☆─────────────────────────────────────☆
GuangHuaKid (NSgan@rygh) 于 (Mon Apr 28 22:40:33 2008) 提到:
对的我最怨念的就是那个手呀。。。=,=
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 头发很飘逸。。。
: 个人意见:
: 眉毛附近的几个~,其实可有可无,反正我个人是不太喜爱这个字符,总觉得不好搭配,容易有突兀感
: ...................
☆─────────────────────────────────────☆
GuangHuaKid (NSgan@rygh) 于 (Mon Apr 28 22:43:44 2008) 提到:
嗯,其实那个时候我还没发现ansieditor里有诸如ˊ之类的字符。。。-,=
【 在 L4KevinX (十四||听版大的话,跟版二走) 的大作中提到: 】
: 那几个括号我觉得还行
: 想表现衣摺并不容易
: 反倒是那个“
: ...................
☆─────────────────────────────────────☆
GuangHuaKid (NSgan@rygh) 于 (Mon Apr 28 22:44:48 2008) 提到:
是哦,风格上面不太统一,色块毕竟还是有点硬邦邦的0.0
【 在 Kieslowski (悲凉啊) 的大作中提到: 】
: 我也不是很喜欢用~这个字符,位置不错,可惜长的不太好,大概是因为
: 我用曲线用的比较少吧,感觉不是很协调。
☆─────────────────────────────────────☆
BigHuan (BigHuan@RYGH) 于 (Mon Apr 28 22:44:52 2008) 提到:
恩,后来发现点点点的妙用,还有最早没觉得接近竖直的斜线的用处,后来发现太好用了几乎是最实用的技巧
【 在 GuangHuaKid (NSgan@rygh) 的大作中提到: 】
: 嗯,其实那个时候我还没发现ansieditor里有诸如ˊ之类的字符。。。-,=
☆─────────────────────────────────────☆
GuangHuaKid (NSgan@rygh) 于 (Mon Apr 28 23:03:09 2008) 提到:
我们在ansi的道路上不断成长~
【 在 BigHuan (BigHuan@RYGH) 的大作中提到: 】
: 恩,后来发现点点点的妙用,还有最早没觉得接近竖直的斜线的用处,后来发现太好用了几乎是最实用的技巧
☆─────────────────────────────────────☆
BOneFiveER (茄|原上草,春风吹) 于 (Tue Apr 29 07:00:35 2008) 提到:
其實頭髮還是有大修的空間的
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
☆─────────────────────────────────────☆
justify (杂杂) 于 (Tue Apr 29 10:54:51 2008) 提到:
明暗还需要改进 这个挺麻烦的。。
【 在 soulfox ( sososo) 的大作中提到: 】
: space一下
: ■━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━■
: ┃ ▎╲ ▏ ┃
: ...................
Sender: L4KevinX Fourteen I started to struggle again, message area: ASCIIart
Title: [Collection] [Color Block Works] Zuo Wei
Sending site: Shuimu Community Thu May 22 23:53:36 2008 , within the site
vivibird I leave myself like the emptiness left by the tired bird returning. Mentioned on Mon Apr 28 20:56:15 2008:
praise..
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................
L4KevinX 14 Listen to Ban Da’s words and follow Ban Er on Mon Apr 28 21:04:46 2008 mentioned:
The hair is very elegant
personal opinion
The ones near the eyebrows are actually dispensable. Anyway, I personally don’t like this character very much. I always find it difficult to match and can easily look awkward.
The posture of the hand in front is a bit reminiscent of a certain universal movement.
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................
Kieslowski Sad on Mon Apr 28 21:18:03 2008 mentioned:
I think the characters on the hat are a bit strange, but the posture of the ring finger feels pretty good.
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: The hair is very elegant
: personal opinion
: The ones near the eyebrows are actually dispensable. Anyway, I personally don’t like this character very much. I always find it difficult to match and can easily look awkward.
:......................
soulox sososo mentioned on Mon Apr 28 21:18:43 2008:
It is not easy to express the wrinkles on the hat
In Kieslowski's masterpiece Desolation it is mentioned:
: I think the characters on the hat are a bit strange. The posture of the ring finger is still pretty good.
L4KevinX Fourteen Listen to Ban Da’s words and follow Ban Er. Mentioned on Mon Apr 28 21:21:29 2008:
I think those brackets are okay.
It's not easy to show off your clothes
On the contrary, that one
Personally I don’t quite accept it
Maybe I'm more pure
Not until absolutely necessary
I don’t use color blocks and lines to mix and match.
In Kieslowski's masterpiece Desolation it is mentioned:
: I think the characters on the hat are a bit strange. The posture of the ring finger is still pretty good.
Kieslowski Sad on Mon Apr 28 21:21:50 2008 mentioned:
I think a little detail can be sacrificed for the overall effect.
In Soulfox Sososo's masterpiece:
: It’s not easy to express the wrinkles on the hat
legendspirit legendspirit mentioned on Mon Apr 28 21:24:14 2008:
In fact, sometimes you don’t need to care so much about true reproduction.
Because when I draw comics, I have already artistically processed real scenes in life.
So I don’t think it has to be really wrinkled when drawing ansi.
In Soulfox Sososo's masterpiece:
: It’s not easy to express the wrinkles on the hat
Kieslowski sad on Mon Apr 28 21:25:10 2008 mentioned:
I don’t really like using this character. The location is good, but the length is not very good. Probably because
I use curves less often. It doesn’t feel very coordinated.
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: The hair is very elegant
: personal opinion
: The ones near the eyebrows are actually dispensable. Anyway, I personally don’t like this character very much. I always find it difficult to match and can easily look awkward.
:......................
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:26:51 2008:
I think it’s good, simple and directional
In Kieslowski's masterpiece Desolation it is mentioned:
: I don’t like to use this character very much. The position is good, but the length is not very good, probably because
: I use curves less often. It doesn’t feel very coordinated.
soulox sososo mentioned on Mon Apr 28 21:27:29 2008:
In fact, sometimes the combination of color blocks and characters can produce very good results.
It can achieve many effects that cannot be achieved by color blocks, or can achieve effects achieved by optimizing color blocks.
Senior Sylow is very experienced in this issue.
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I think those brackets are okay
: It’s not easy to express clothes folding
: On the contrary, it’s that one
:......................
L4KevinX Fourteen Listen to Ban Da’s words and follow Ban Er. Mentioned on Mon Apr 28 21:27:41 2008:
agree
Especially color blocks
I feel like most of the time it’s still about the overall effect.
Those sew and sew
If one or two local characters are in place, it will be at the expense of the overall quality.
Not so wonderful
In Kieslowski's masterpiece Desolation it is mentioned:
: I think a little detail can be sacrificed for the overall effect.
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:28:40 2008:
In fact, the effect is quite good
It’s a cliché to talk about how to draw horizontal lines, but I think it’s used too little.
In Kieslowski's masterpiece Desolation it is mentioned:
: I think the characters on the hat are a bit strange. The posture of the ring finger is still pretty good.
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:29:12 2008:
Yes, I also want to say, for example, many of his works are F1, One Piece, etc.
In Soulfox Sososo's masterpiece:
: In fact, sometimes the combination of color blocks and characters can produce very good results.
: Can achieve effects that cannot be achieved with many color blocks or can achieve effects achieved by optimizing color blocks
: Senior Sylow is very experienced in this issue.
:......................
soulox sososo mentioned on Mon Apr 28 21:29:55 2008:
I've never used this kind of horizontal line drawing method. It's a bit thick.
Mentioned in BigHuan BigHuan@RYGH's masterpiece:
: Actually, the effect is quite good.
: It’s a cliché to talk about how to draw horizontal lines, but I think it’s used too little.
:
:......................
L4KevinX Fourteen Listen to Ban Da’s words and follow Ban Er. On Mon Apr 28 21:30:38 2008 mentioned:
deeply touched
But because of someone's laziness
Generally speaking, when you need to mix and match
I prefer horizontal and vertical slashes
Easier to blend in with color blocks
In my mind, I really don’t think I’ve ever used those characters with brush edges to mix and match.
When it doesn't match well, it feels strangely awkward.
In Soulfox Sososo's masterpiece:
: In fact, sometimes the combination of color blocks and characters can produce very good results.
: Can achieve effects that cannot be achieved with many color blocks or can achieve effects achieved by optimizing color blocks
: Senior Sylow is very experienced in this issue.
:......................
L4KevinX 14 Listen to Ban Da’s words and follow Ban Er on Mon Apr 28 21:34:13 2008 mentioned:
I'm a rough guy, generally
Mentioned in BigHuan BigHuan@RYGH's masterpiece:
: Actually, the effect is quite good.
: It’s a cliché to talk about how to draw horizontal lines, but I think it’s used too little.
:
:......................
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:35:58 2008:
Well, I would rather not be continuous
In Soulfox Sososo's masterpiece:
: I have never used this kind of horizontal line drawing method. It is a bit thick.
soulox sososo mentioned on Mon Apr 28 21:36:42 2008:
space
D.N.
bysylow
"
<" < ,
﹨ " " .<
﹨ Ⅱ Ⅱ oY, " ﹨
㈩ . ㈩ } , "
﹨
Ⅱ Ⅱ レ' < "
, """"
" ,"
>
, "P ya
" , ' , y" ﹨ ,YX"VVV
" ^ ,o
, Y > ⺌>
, ,o
, " " 卌 vㄣ}
" y" , >
, " y" V" " ><
y"
" y" ⅢⅢ ",
" "⌒
,y" " <
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
deeply touched
But because of someone's laziness
Generally speaking, when you need to mix and match
I prefer horizontal and vertical slashes
Easier to blend in with color blocks
In my mind, I really don’t think I’ve ever used those characters with brush edges to mix and match.
When it doesn't match well, it feels strangely awkward.
In Soulfox Sososo's masterpiece:
: In fact, sometimes the combination of color blocks and characters can produce very good results.
: Can achieve effects that cannot be achieved with many color blocks or can achieve effects achieved by optimizing color blocks
: Senior Sylow is very experienced in this issue.
:......................
soulox sososo mentioned on Mon Apr 28 21:36:50 2008:
Look at the apple and the hand
,
"
"
Y
Apple's shows the arc of Apple
What’s particularly wonderful is the one that vividly depicts the arcs and highlights of the apple.
The best thing is the one on his hand. I don’t know if you have noticed it. God is coming, God is coming.
The above is provided by dear sylow hero
In Soulfox Sososo's masterpiece:
space
D.N.
bysylow
"
<" < ,
﹨ " " .<
﹨ Ⅱ Ⅱ oY, " ﹨
㈩ . ㈩ } , "
﹨
Ⅱ Ⅱ レ' < "
, """"
" ,"
>
, "P ya
" , ' , y" ﹨ ,YX"VVV
" ^ ,o
, Y > ⺌>
, ,o
, " " 卌 vㄣ}
" y" , >
, " y" V" " ><
y"
" y" ⅢⅢ ",
" "⌒
,y" " <
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
deeply touched
But because of someone's laziness
Generally speaking, when you need to mix and match
I prefer horizontal and vertical slashes
Easier to blend in with color blocks
In my mind, I really don’t think I’ve ever used those characters with brush edges to mix and match.
When it doesn't match well, it feels strangely awkward.
In Soulfox Sososo's masterpiece:
: In fact, sometimes the combination of color blocks and characters can produce very good results.
: Can achieve effects that cannot be achieved with many color blocks or can achieve effects achieved by optimizing color blocks
: Senior Sylow is very experienced in this issue.
:......................
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:38:44 2008:
.
But lines are more difficult to draw
.
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I'm a rough guy, usually
:
:
:......................
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:40:35 2008:
Ah, really awesome
Actually, I don’t quite understand what triangle means, but
Really great
In Soulfox Sososo's masterpiece:
: Look at the apple and the hand
: ,
: "
:......................
Kieslowski sad on Mon Apr 28 21:40:48 2008 mentioned:
The second one from the right is thicker. The others are okay.
By the way, I'm going to go a bit far... What do you think when you look at the lines of Yahoo seniors? I think it's very difficult to see the details.
Chaotic. Any characters are used. I don’t care much about the shape. But the overall effect is usually very good. Is it a picture?
If you don’t pay attention to details in the overall painting, you won’t care when you look at it.
In Soulfox Sososo's masterpiece:
: I have never used this kind of horizontal line drawing method. It is a bit thick.
Kieslowski sad on Mon Apr 28 21:43:24 2008 mentioned:
Boss, aren't you trying to make me angry at someone like me who can only draw lines?
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I'm a rough guy, usually
:
:
:......................
legendspirit legendspirit mentioned on Mon Apr 28 21:43:44 2008:
The concave part of the palm
Mentioned in BigHuan BigHuan@RYGH's masterpiece:
: Ah, really awesome
: Actually, I don’t quite understand what triangle means, but
:
:......................
zoelin Zou Yilin You are really not that important mentioned on Mon Apr 28 21:44:16 2008:
...pulled it out and chopped it
In Kieslowski's masterpiece Desolation it is mentioned:
: Boss, aren’t you trying to make me angry at someone like me who can only draw lines?
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:44:40 2008:
oh
Mentioned in legendspirit legendspirit's masterpiece:
: The concave part of the palm
brivia The Sparrow of Dongting Lake mentioned on Mon Apr 28 21:44:57 2008:
So handsome Zuo Wei
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................
soulox sososo mentioned on Mon Apr 28 21:45:02 2008:
Yeah, I had the same question when I saw the paintings of Yahoo seniors.
But this is each artist’s own style.
In Kieslowski's masterpiece Desolation it is mentioned:
: The second one from the right is thicker, but the others are okay.
: By the way, I'm going to go a bit far... What do you think when you look at the lines of Yahoo seniors? I think it's very difficult to see the details.
: Chaotic. I use any characters and don’t care much about the shape. But the overall effect is usually very good. Is it a picture?
:......................
L4KevinX Fourteen Listen to Ban Da’s words and follow Ban Er. On Mon Apr 28 21:46:06 2008 mentioned:
I love that apple so much
But the Y in my hand
Just a little bit of that
personal opinion
In Soulfox Sososo's masterpiece:
: Look at the apple and the hand
: ,
: "
:......................
soulox sososo mentioned on Mon Apr 28 21:46:09 2008:
Seamless look
It’s the recessed part of the hand, and the little finger is also carved out. It’s amazing, right?
Mentioned in BigHuan BigHuan@RYGH's masterpiece:
Ah, really awesome
Actually, I don’t quite understand what triangle means, but
Really great
In Soulfox Sososo's masterpiece:
: Look at the apple and the hand
: ,
: "
:......................
L4KevinX Fourteen Listen to Ban Da’s words and follow Ban Er. On Mon Apr 28 21:47:00 2008 mentioned:
6064
In Kieslowski's masterpiece Desolation it is mentioned:
: Boss, aren’t you trying to make me angry at someone like me who can only draw lines?
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 21:47:12 2008:
Sure enough, Y is the same
In Soulfox Sososo's masterpiece:
: Seamless viewing
: It’s the concave part of the hand, and the little finger is also carved out. It’s amazing, right?
: Ah, really awesome
:......................
soulox sososo mentioned on Mon Apr 28 21:47:15 2008:
Check it out seamlessly
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I love that apple very much
: But the Y in my hand
: Just a little bit of that
:......................
soulox sososo mentioned on Mon Apr 28 21:49:06 2008:
The vertical line on the right side of Y draws the curve of the fish festival part of the thumb.
The small one on the left depicts a palm print
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I love that apple very much
: But the Y in my hand
: Just a little bit of that
:......................
L4KevinX 14 Listen to Ban Da’s words and follow Ban Er on Mon Apr 28 21:50:58 2008 mentioned:
I can understand the ingenuity
The problem lies in my prejudice against characters with Bifeng
In Soulfox Sososo's masterpiece:
: The vertical line on the right side of Y depicts the curve of the fish festival part of the thumb
: The small one on the left depicts a palm print
tRNA Asciiart Edition Mizuki Guanghua Two Station Character Art Joint Exhibition on Mon Apr 28 21:52:43 2008 mentioned:
handsome
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................
GuangHuaKid NSgan@rygh mentioned on Mon Apr 28 22:40:33 2008:
Yes, what I resent the most is that hand.
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: The hair is very elegant
: personal opinion
: The ones near the eyebrows are actually dispensable. Anyway, I personally don’t like this character very much. I always find it difficult to match and can easily look awkward.
:......................
GuangHuaKid NSgan@rygh mentioned on Mon Apr 28 22:43:44 2008:
Well, actually at that time, I hadn’t discovered that there were characters such as in ansieditor,
In the masterpiece of L4KevinX 14 Listen to the big words and follow the second version, it is mentioned:
: I think those brackets are okay
: It’s not easy to express clothes folding
: On the contrary, it’s that one
:......................
GuangHuaKid NSgan@rygh mentioned on Mon Apr 28 22:44:48 2008:
Yes, the style is not very uniform. After all, the color blocks are still a bit stiff. 0.0
In Kieslowski's masterpiece Desolation it is mentioned:
: I don’t like to use this character very much. The position is good, but the length is not very good, probably because
: I use curves less often. It doesn’t feel very coordinated.
BigHuan BigHuan@RYGH mentioned on Mon Apr 28 22:44:52 2008:
Well, later I discovered the wonderful use of dots and dots. I also didn’t think of the use of nearly vertical diagonal lines at first. Later, I found that they are so easy to use. It is almost the most practical technique.
Mentioned in GuangHuaKid NSgan@rygh’s masterpiece:
: Well, actually at that time, I hadn’t discovered that there were characters such as in ansieditor,
GuangHuaKid NSgan@rygh mentioned on Mon Apr 28 23:03:09 2008:
We continue to grow on the road of ansi
Mentioned in BigHuan BigHuan@RYGH's masterpiece:
: Well, later I discovered the wonderful use of dots and dots. I also didn’t think of the use of nearly vertical diagonal lines at first. Later, I found that it is so easy to use and is almost the most practical technique.
BOneFiveER Solanum Yuanshangcao Spring Breeze mentioned on Tue Apr 29 07:00:35 2008:
Actually, there is still room for a major hair overhaul.
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................
justify Zaza mentioned on Tue Apr 29 10:54:51 2008:
The lighting needs to be improved. This is quite troublesome.
In Soulfox Sososo's masterpiece:
: space it
:
:
:......................