发信人: BOneFiveER (某茄|鸡丝饭团001号兼糊饭团002号), 信区: ANSI
标 题: 欧灵塔罗系列创作手札
发信站: 日月光华 (2008年08月31日13:50:25 星期天), 站内信件
欧灵塔罗,这个名字真正诞生在一年前的光华培训期间,拜览了风梦塔罗后冲动的仿造
做了愚者和魔术师两张——当然现已取缔,事实证明在实力不够的时候进行这么大型的
创作是完全未够班的。在我意识到一个有爱又擅长的主题是多么重要后,沉静了快一年
后有了想法才重新执笔。现在大家看到的这副牌制作历程大约是10天左右,想法是在8
月22日凌晨睡觉中萌生的....一个很大胆但是真的很有趣的想法,但是即可就面临两个
难题:1、刀刀画册扔在北京,手头可以借鉴的刀刀形象限于之前画的三副刀刀中....
不过后来证明只要有一个logo也便足够了;2、塔罗牌本身的寓意要怎么融入ANSI中,
这点上主要借鉴的是QQ页面上的那副塔罗牌,但是鉴于ANSI特有的风格问题,最后也没
有完全的照搬,可以说整副牌的原创成分还是很大的。
8月23日深夜,完成了愚者的造型——如君所见,很简单的一个刀刀,却已经是一切的
基础。鼻子的造型,手部的造型,这些最后都成为这幅塔罗贯穿下来不变的东西——也
通过这张牌让我明白,刀刀塔罗的想法是可行的。
牌面的配色,这个需要提一下,并不是随心所欲的。按照某中传统说法,二十二张塔罗
是与十二星座和十大行星有一个暗合的关系,因此配色也从这里出来——再考虑到色彩
的完整性,引入了粉色,这样事先就确定了每张牌的主色,中途不再修改。
如果把做ANSI比作戴着脚镣跳舞,那么制作这套欧灵塔罗更像是背着个人在跳——在主
题固定,主色固定,素材固定,画布大小固定——近乎绝望的情况下顽强的进行视觉突
破。一半以上的牌创作了两个以上的版本,而频繁的细节修改更是一件心烦的事情,却
不得不做。每个人在制作ANSI都有自己的一条线,如果创作出来的东西没有越过它自己
是接受不了也不大想po出来的——我想每个画手都有这样的体验吧——有趣的是,有些
牌一遍就可以轻松越线,甚至无需修改;有些则是改了又改,始终不合心意——比如其
中的死神和塔,不过也就先搁下吧。
制作期间也借助了相当的外力:感谢斯基童鞋对于中期塔罗的斧正和建议,化腐朽为神
奇;感谢风梦前辈和猪猫前辈提供了如此绝妙的样本以供参考;感谢刀刀的作者创作的
刀刀形像;感谢QQ塔罗给予的文字说明和构图灵感,最后列表说明一些素材的引用:
1、刀刀素材形象非原创
2、文字出至QQ塔罗
3、愚者、魔鬼、太阳、世界的构图来源QQ塔罗,女祭司、力量的构图来源之风梦塔罗
4、力量中的狮子图腾和塔中的主塔造型出自windream作品<Lindau Bodensee>,有修改
5、月亮中的月亮出自猪猫塔罗中的同名牌,直接搬用
6、隐士中的油灯出自gegewu作品<yoyocheung系列4>,直接搬用
7、命运之轮中的轮造型和太阳中的马脸细节均有Kieslowski修改提供
某茄再次特此鸣谢他们
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by chive@SMTH _︵ ... ..
_ _ ︵ _ (/ /:·˙˙˙: .
\ ╲ ╱ / ┌┐ \ ╲>\ ┌─┐ / /\ :.
\ (︶ ︶) / ┌┘└┐ (\ / └─┘ ︵ ▕__ .
╲╲ ╱╱ └┐┌┘ (/ / ┌─┐ / / / / )
信心 ╲)╱ └┘ / / 坚强 └─┘ \ ╰╰/ 希 望
※ 来源:·日月光华 bbs.fudan.edu.cn·[FROM: 220.205.105.11]
Sender: BOneFiveER, Shredded Chicken Rice Ball No. 001 and Paste Rice Ball No. 002, Letter Area: ANSI
Title: Notes on Creation of the Orin Tarot Series
Sending site: Sun and Moon Guanghua August 31, 2008 13:50:25 Sunday, site mail
The name Ouling Tarot was actually born during the Guanghua training a year ago. It was an impulsive imitation after visiting Fengmeng Tarot.
I made two copies of The Fool and The Magician. Of course, they are now banned. Facts have proved that it is necessary to carry out such a large-scale operation when the strength is not enough.
Creation is completely unskilled. After I realized how important it is to have a subject that I love and am good at, I fell silent for almost a year.
Then I came up with an idea and started writing again. The production process of the deck of cards you see now is about 10 days. The idea was in 8
I came up with it while sleeping in the early morning of March 22nd...a very bold but really interesting idea, but I was faced with two
Problem 1: The album of knives and knives is thrown away in Beijing. The images of knives that can be used for reference are limited to the three pairs of knives painted before....
But it later proved that just having a logo is enough. 2. How to integrate the meaning of the tarot cards into ANSI
The main reference at this point is the tarot card on the QQ page. However, in view of the unique style issues of ANSI, in the end it was not
It is a complete copy. It can be said that the original content of the whole deck is still very large.
Late at night on August 23, I completed the shape of the Fool. As you can see, it is a very simple knife, but it is everything.
The basics, the shape of the nose, the shape of the hands, these are the things that remain unchanged throughout this Tarot.
Through this card, I understand that the idea of Knife Tarot is feasible.
It needs to be mentioned that the color scheme of the cards is not arbitrary. According to a certain Chinese tradition, the twenty-two card Tarot
It has a coincident relationship with the twelve constellations and the ten planets, so the color matching also comes from here, and then consider the color.
For completeness, pink is introduced so that the main color of each card is determined in advance and will not be modified midway.
If doing ANSI is compared to dancing with shackles on, then making this Oriental Tarot set is more like dancing with someone on your back.
The title is fixed, the main color is fixed, the material is fixed, the canvas size is fixed, and the visual highlight is tenaciously carried out under almost desperate circumstances.
More than half of the cards have been created in two or more versions, and frequent detail modifications are even more annoying.
It has to be done. Everyone has their own line when making ANSI. If the created thing does not cross its own
I can’t accept it and I don’t really want to post it. I think every painter has this experience. What’s interesting is that there are some
The cards can easily cross the line in one pass without even needing to modify. Some of them are changed again and again, but they are never to your liking, such as others.
The God of Death and the Tower in it, but let’s put it aside for now.
During the production process, a lot of external help was also used. Thanks to Ski Children's Shoes for his corrections and suggestions on the mid-term tarot.
Qi Thanks to Senior Fengmeng and Senior Zhumao for providing such wonderful samples for reference. Thanks to the author of Daodao for creating
Knife-shaped image. Thanks to QQ Tarot for the text description and composition inspiration. The final list illustrates the quotations of some materials.
1 The material image of Daodao is not original
2 The text is sent to QQ Tarot
3 The Fool, the Devil, the Sun, the source of the composition of the world, QQ Tarot, the Priestess, the source of the composition of power, the Wind Dream Tarot
4 The lion totem in power and the shape of the main tower in the tower are from windream's work <Lindau Bodensee> with modifications
5 The Moon in the Moon comes from the same card in the Pig and Cat Tarot and is directly copied.
6 The oil lamp in The Hermit is from gegewu’s work <yoyocheung Series 4> and is directly copied.
7 The wheel shape in Wheel of Fortune and the details of the horse’s face in The Sun were modified and provided by Kieslowski
I would like to thank them again
by chive@SMTH . . ..
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faith strong hope
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 220.205.105.11]