作者 missher (千古冬蝶,万世凄绝) 站内 A_MapleFish
标题 Re: 出云阿国
时间 Wed Apr 7 19:30:19 2010
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1.这张图第一眼见到最大的问题,就在脸上的亮白色块。
这部份的亮白色块并无衔接至脸部其他地方,单纯只是突然出现一大块在脸部中间,
这对整个画面来说是非常突兀的。
尤其是,不使用一字双色的话,原本亮色块就已经是不甚好掌握的工具,
在此这么使用,更是很糟的用法。
如果坚持要表示出脸部的光泽,
建议使用一小块点缀即可,或是改以其他符号加亮,
而不要像这样丢一大块在脸上。
当然,个人比较倾向的建议是,
若该部份的光泽表现不出满意的画面,直接省略即可,不必强硬画出来破坏画面。
2.我很想找出一处优点来说,
但是以我个人的角度来看,我实在找不出我真心想称赞的地方,
唯一能提的或许只有比例并无跑掉太多,勉强算是这幅图的非缺点,
又或许您是参照我所绘制的版本(因为基本构图是相同的),所以比例才无跑掉太多。
不论如何,以一个非新手来说,比例掌握的正确性应该是基本工夫才是。
再来,不知您有否注意到,虽然比例上并无跑掉太多,
但脸(脸颊与下巴部份)的轮廓与脖子部份却是有问题的。
问题在该图的脸颊变肿、下巴变厚、脖子变粗,再次影响了画面的美观度。
3.头发的光泽,浏海上方的光泽如此表示变得不像是光泽,
反而像是多了什么不知名的装饰,头纱?
而两旁的白色线条亦未清楚交待出发丝的分布,说是虚接也不像虚接。
(我说的虚接是∶部份留黑不画,但却让人看起来似乎很顺畅的连接起有画出来的部份)
这也是我之前常提到的,既然画了又不画完整,不清楚交待,还不如不画、直接留黑,
以上是整体画面部份。
至于细节部份∶
不外是,符号的选用不够谨慎,线条的连接也不顺畅等
这部份很难一一点出,我晚点考虑看看是否要举实例∶(但先问一下)
是否愿意让我拿您这幅图重修一次给您看看其中的差异?
还有一点要提的便是,您是否愿意再花时间,重新绘制一次该图?
但是这次绘制稍有不同,不要给自己加上不使用一字双色的框框,
尽管使用一字双色没关系。
重点在于∶能不能画出好的作品,而不是有没有使用一字双色。
不使用一字双色虽然对大部份人来说是很难的事,但不能代表不使用就是很厉害。
等到了您认为自己不使用一字双色真的能画得比其他人使用一字双色来得更好的时候,
那么您尽管开无双下去玩 :D
那么您尽管开无双下去玩 :D
我想知道的是∶
您使用一字双色画出来的相同作品,跟不使用一字双色画出来的作品差距多大?
如果差距很大,那么建议您还是继续使用一字双色来作画,
等到可以画出十分优秀的作品时想弃用一字双色再弃用即可;
如果差距不大,是可以不使用一字双色,好好地想该怎么让自己的画技更进步。
最后,
如果以一个喜欢画ANSI的玩家来说,其实能画出一幅作品,就足够是一件开心的事了。
其实也不必去在乎我说的缺点,您可以想成这就是您的特色。
而且,也只不过是想快乐画图。
但若是想有所进步,这样的程度是远远不够的,很多地方都未好好的处理,
应该想办法注意到更多地方,对自己要求更高些,画出真正优秀的作品。
当然,不要因为我说的这些而丧失信心,反而要更有自信,
觉得自己一定能办到,一定能画出优秀的作品。
:)
Author missher Eternal Winter Butterfly Eternal Misery Site A MapleFish
Title Re: Izumo Aguo
Time Wed Apr 7 19:30:19 2010
1. The biggest problem at first sight in this picture is the bright white patch on the face.
This part of the bright white patch is not connected to other parts of the face. It just suddenly appears as a large piece in the middle of the face.
This is very abrupt to the whole picture
Especially if you don't use one word and two colors, the original bright color block is already a tool that is not easy to master.
It's an even worse way to use it here.
If you insist on showing the luster of your face
It is recommended to use a small piece of embellishment or use other symbols to highlight it.
Instead of throwing a big chunk on your face like this
Of course, my personal preference is to
If the gloss of this part does not produce a satisfactory picture, just omit it. There is no need to forcefully paint it and ruin the picture.
2. I really want to find an advantage to talk about
But from my personal point of view, I really can’t find anything I really want to praise.
The only thing I can mention is that the proportions are not too far off, which is barely a shortcoming of this picture.
Or maybe you are referring to the version I drew because the basic composition is the same, so the proportions are not too far off.
No matter what, for a non-novice, the correctness of proportion control should be a basic skill.
Next, I wonder if you have noticed that although the proportion has not gone too far
But there are problems with the contours of the face, cheeks, chin, and neck.
The problem is that the cheeks in this picture have become swollen, the chin has become thicker, and the neck has become thicker, which again affects the beauty of the picture.
3. The luster of the hair. The luster above the bangs means that it no longer looks like luster.
Instead, it seems like there is some unknown decoration, a veil.
The white lines on both sides do not clearly explain the distribution of hair strands. It does not look like a virtual connection even if it is said to be a virtual connection.
The virtual connection I'm talking about is that the part is left black and not drawn, but it makes it look like it connects the drawn part very smoothly.
This is what I have often mentioned before. Since I have drawn it but it is not complete and I don’t know the explanation, it is better not to draw it and just leave it black.
The above is the overall picture part
As for the details
It’s just that the selection of symbols is not careful enough, the connection of lines is not smooth, etc.
This part is difficult to explain step by step. I will consider whether to give examples later, but let me ask first.
Would you like me to take your picture and redo it to show you the difference?
Another thing to mention is whether you would like to take the time to redraw this diagram again.
But this time the drawing is slightly different. Don’t put a frame on yourself without using one word and two colors.
Although it doesn’t matter if you use one word and two colors
The key point is whether you can draw good works, not whether you use one word and two colors.
Although it is difficult for most people not to use one word and two colors, it does not mean that they are great if they do not use it.
Wait until you think that you can really draw better than others using one word and two colors without using one word and two colors.
Then you can go play with Wushuang :D
Then you can go play with Wushuang :D
what i want to know is
What is the difference between the same work you drew using one word and two colors and the work you drew without using one word and two colors?
If the difference is large, it is recommended that you continue to use one word and two colors to paint.
If you want to give up using one character and two colors when you can draw very good works, then you can do so.
If the difference is not big, you don’t need to use one word and two colors. Think carefully about how to improve your painting skills.
at last
For a player who likes to draw ANSI, it is actually a happy thing to be able to draw a work.
In fact, you don’t have to worry about the shortcomings I mentioned. You can think of it as your specialty.
And I just want to have fun drawing pictures
But if you want to make progress, this level is far from enough. Many places have not been properly dealt with.
You should find ways to notice more places, be more demanding on yourself, and draw truly excellent works.
Of course, don’t lose confidence because of what I said. On the contrary, you should be more confident.
I feel that I can definitely do it and draw excellent works.
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