│ ╲╲ 、 ▁_ ║ │
│ (ˋ╲╲ ∕ ̄ ╲, § │
│ │| ╲\〔((.(\▕_ 柳 │ 谁
│ │||| \│|丿冖| ▏ 梦 │ 深 言
│ │||||| \\﹨-ノ︳\ 璃 │ 知 别
│ │|| ||||〢╯ ∕_│ § │ 身 寒 后
│ │| |▕/丿ㄨ//$\╮ ║ │ 在 月 终
│ │ |_︿//`^//.│\ │ │ 前 情 清 无
│ │|||`ニ_|`﹣._.︳︳\ │ 尘 常 宵 悔
│ │,︿ーˊ\﹨ ╰.│ˋ、 │ 不 在 绮
│ │イ\|〢/|\﹨ `\\ \ │ 共 梦
│ ▕│|〣╲,-' ╲_╲ \╲ ╲ │ 彩 回
│ ―(§.ー╱ ∕/.;╲╲ ╲╲ ╲ ― │ 云
│ ╱╱,-/ |(.﹣ˊ╲ˋ` )`\ \`- │ 飞
│ 囗╱ │ ︳/ │︳ ˋ-ˊ`/ /-_ │
│ ▕ ││ \\ ˋ﹣ˊ │
│ | ▕ ︳ ﹨\ │
│ ∕ ││ \ \ │
│ / ∶︳\ \ \ │
│ / §| \ \ \ │
│ │ ∮| \ -----` │
│ /____│─┘ ̄ ̄ │
│ ﹀ │
标 题: Re: 柳梦璃——初稿
发信站: 水木社区 (Sat Mar 23 23:06:04 2013), 站内
可以改的部分实在不多,
有几个重点是手部的表现应该要优于琴弦,
宁可把琴弦删掉也要留空间画手才是,
另外箜篌画出一点厚度感会比较好。 (线条外行的一点小意见)
【 在 ciqingkedai (此情可待成追忆|水叶@nk) 的大作中提到: 】
: 应征当签名档的图……(话说这么大的qmd很影响阅读的吧……)
: 估计这位应征的人要用到定位符了……(管他呢我只负责画图- -~)
: 原图不贴了……就是仙剑四的柳梦璃,坐姿弹箜篌……
. Liu who
俿冖梦深言
﹨ ノ 里 know the difference
After body cold
丿ㄨ $ at the end of the month
. Previous love is clear.
ニ ﹣. . Chen Chang Xiao regrets
, ー ﹨ . Not in 绮
イ ﹨ total dream
, 'color return
.ー .; cloud
, .- fly
囗
-
﹨
Title: Re: Liu Mengli’s first draft
Sending station: Shuimu Community Sat Mar 23 23:06:04 2013 , within the station
There's really not much that can be changed
There are several key points: the performance of the hand should be better than that of the strings
It would be better to delete the strings and leave space to draw the hands.
In addition, it would be better if the harp is drawn with a little thickness. A little advice from an outsider on lines.
In the masterpiece of ciqingkedai This Love Can Wait for Reminiscence Shuiye@nk mentioned:
: I applied for a picture to be used as a signature file. I think such a large qmd would be very difficult to read, right?
: I guess this applicant will need to use the locator. Who cares? I’m only responsible for drawing.
: The original picture is no longer posted. It is Liu Mengli from Sword and Swordsman 4, sitting and playing the harp.