|||||||||| ___︵ __ ||||||||||| ┗╮ |||| |||| ||||| ||| ||||||||||||
||||||| ╱ ╲ ||||||||||| ╰┘ || 而当你终于无视地走过| |||||||
||||| ╱╱ _╱︶ ̄╲ ╲ ||||||||||||╭┓ |||| | ||| | | ||| | |||||||
||| ╭╮ ╱ ╱ ~╲ ▏|||||╭┐ └╯|| 在你身后落了一地的 ||||||||
|| ╭(||)╮ / ) \ ||| ┗╯|| ||||||||| | || |||| |||||||||
||_(=*=)│ / ▏|||| | |┏╮|||| 朋友啊 那不是花瓣| |||||||||
|(= ~(||)\)│─╮ ╭─│ \ |||||| |╰┘|||||| || | ||| |||||| ||||||||
╭(||︶-╯( ︿╮ ╭-( ) )||||||||| | |||| 是我凋零的心||||||||||||||||
(==﹡≡))/)) ︶ ▏ ︶ ) )/ ||||||||┌╮|||||| |||||| | ||||| |||||||||||
~(||)~/ )│ \ ( / ▏||||||||╰┛||||| || |||| ||||||| |||||||||||
|| ︶|) ( / │/ / ||||||||| ||(ˇ) | | |||||||||| |||| ||||||
||| ╰╯ / ) ︵︵ │\ ▏ ||||||||| ||||ˇ ︵︵ ||||| ||| |||| ||||||
|||| \ ( (╲ ╰-╯ ╱( (/ |||||||||||||||| (( ) ||||| ||| | || | ||||
|||| ╲ \ \ ╲ ╱ ╱) ) ||||||||||||||| || ╲╱ || ||| ||| | || | ||||
||||| \ )││ ﹀│_/ / / |||||||||||||| ︵︵ || |||| ||| ||| | | | | ||
|||||| / / / │ ( ( |||||||||||||||(( ) | | || | | ||| | | | | ||
|||||| ( / / \ ╲\ |||||| ||||| || ╲╱ ︵ ︵| | | | | | | ||
||||| ((╱╲ ╱╲ ))|||||| ||||| || | ||||| ( ︶ ) | | | | | ||
|||| _╱)╲ ╲ ╱ ╱╲// ||||| ||| | ||||||| || ╲ ╱ ︵ ︵ | | ||
|| ╱ ( ╲ ╱ ╱ //╲_||| | ||| | ||||||| |||||ˇ ( ˇ ) | | |
|| / │ ╱ ╱ (( || | || | ||| || ||||| (ˇ)|╲ ╱| | | |
|| ╱ )) || | | || | | |||| ˇ || ˇ || | |
※ 来源:·日月光华 bbs.fudan.edu.cn·FROM:[Kitty Magic Garden]
--
佛罗伦萨诗人吉多是个非常严肃的人,这位先生经常在教堂的坟墓边转悠,到不是要研
究医学,而是他觉得在死亡和大理石之间思考更有质感,这种沉重的石化形象与文艺复
兴时期寻欢作乐的纨绔子弟格格不入,很显然,没有人爱看吉多先生那严肃的脸和待搭
不理的态度。于是纨绔子弟们故意挡住他的路,挑衅道:“吉多,你不理睬我们,你以
为你是谁?就是你证明了上帝不存在,那你又能怎么样?”这个问题在当时算是上纲上
线了,比吉多的思考要沉重的多,一般人被问道如此干脆就承认自己是罪人得了。而吉多的反应简直出人意料,平时庄重的他竟然按着一块墓石,轻快灵便地一跳,拔腿走开。
And when you finally walked by without a care
It fell to the ground behind you
My friend, those are not petals.
It’s my withered heart
*
Source: 日月光华 bbs.fudan.edu.cn FROM:[Kitty Magic Garden]
The Florentine poet Guido was a very serious man. This gentleman often hung around the tombs in the church.
Studying medicine, he feels that it is more meaningful to think between death and marble. This heavy petrified image is closely related to the Renaissance of literature and art.
The dandies who were looking for fun in the heyday were out of place. Obviously, no one wanted to see Mr. Guido’s serious face and attitude.
The dandy boys deliberately blocked his way and said provocatively, "Guido, you ignore us. What do you think?"
Who are you? You proved that God does not exist. So what can you do? This question was considered a top priority at the time.
It was much heavier than Guido's thinking. Most people would simply admit that they are sinners when asked, but Guido's reaction was simply unexpected. He, who was usually solemn, actually pressed a tombstone, jumped briskly and walked away.