.! First , Shen ω Year . spring o Jump 9' Chinese painting pays attention to the sparseness and airtightness. I think the layout is the best. The biggest difficulty in jumping . ε is that it is easy to make it dense and sparse, but it is difficult to make it dense. Ma 83 For example, in this picture of plum blossoms, I originally wanted to draw a flourishing plum tree, but the flowers and branches could not be moved where they were concentrated. 6, o In the end, the branches are too evenly distributed. It seems that it is better to use asciiart to draw plum blossoms. Picture ゜﹨ . Sparse plum blossoms are better c3 {g, {. ㄥo0, There are several ways to draw plum blossoms with circled plum blossoms. There are several ways to draw red plum blossoms with cinnabar. ω} ゜ Plum blossoms are often painted with light ink to look like plum blossoms. Here I also tried using dark gray to paint plum blossoms. . But the effect is not outstanding. I simply switched to brightening. I don’t know if it is useful in Chinese painting. I don’t think I’ve ever seen one painted with white plum blossoms in white. εㄥ "3, ' ' 乁 o plum ゜ゝ, ゜' orchid The ink used in Chinese painting should be dark or light, but the only one available in ANSI is black. There are two types: dark gray and dark gray. Among them, dark gray is still a highlight color, which has many restrictions on its use. Flubber can only use these two colors to create an illusion of alternating shades. Behind the orchid Just one leaf uses light ink. The limitations of these highlighted color blocks are enough for me. I have a headache. I ruined a lot of the previous layout. The composition is relatively satisfactory among the four pictures. The shape is relatively simple and easy. Achieve some results, but the concentration near the leaf root still shows that it is not dense. The resulting weakness causes all leaves to be thick in the middle and thin at the ends. Compare monotonous " ⺪ ゞ 刂 ' 'There were many bamboo works in the past, and most of them were painted with leaves. The leaves of ヘ are thick and short. I personally feel that they are not elegant enough. I hope to draw slender bamboo. In the process of painting leaves, we still have to face dense difficulties. The shape of bamboo leaves is nothing more than human. It is difficult to enter an intermediate point at the convergence point of these intermediate points. In addition, I really don’t dare to draw more about the overall distribution of the leaves. The distribution of leaves here still looks flat. , the flubber is a bit even. In addition, the leaves are leaves and the stems are dry. They are not broken enough. ' In traditional Chinese painting, brushes can be found everywhere, among which the dry brush effect is a major feature. ' is a big difficulty in drawing the horse. I feel that the horse's mane and tail are using ASCII characters. . The areas that are more difficult to express are using uneven and messy small blocks of color. , to paint the dead brush effect, which expresses the wild and uninhibited style well. Here is the bamboo painting. ^ The stem also added a little dry brush effect to the original pure black stem. It feels okay. bamboo chrysanthemum y , flubber This chrysanthemum picture is probably the worst among the four. The leaves are like grape leaves and the flowers are like None of the flowers look like chrysanthemums. Some people say they look like a lump: There is no way. I really don’t know how to express the complicated little petals of the chrysanthemum. I don’t know how to make flowers. > 7. Draw only one flower to express the subject. What is the effect? ​​What I am trying here is to use the background. Ya How to draw the outline by leaving blank space , c, The freehand brushwork of leaves in traditional Chinese paintings is usually done with light ink as the base and thick ink as the leaf veins are added upwards. ㄟニ But in the ansi color, the light ink is the highlight and the thick ink is the dark color. It is impossible to make the black The color covers the dark gray, so the veins and leaf surface have the colors reversed. v, haha ​​I don’t know if there is such a boneless leaf in Chinese paintings. If not, ニ⺁ Maybe you can try it ' ' ヽ The overall feeling is that using only three colors to paint ink paintings is a bit monotonous. After all, there is no way to achieve so many shades of light in reality. I don’t know. What is the effect of adding other colors to paint pastels? You can try it next time The most difficult place to draw is the dense place. It seems that the composition should be sparse.