发信人: wumi0212 (五迷), 信区: ASCIIart
标 题: Re: 梅兰竹菊
发信站: 水木社区 (Thu Jun 5 22:01:56 2008), 站内
既然提到参考,那就谈谈我的创作思路好了
╔╔_______________________╗╗
╔╯ ╰╗ ┐├──┐
│︳ ╭╮ ╭﹀╮\︳ │ └┼┌──┐
│\/ ╰ッ (_巛_)│╭ ╮ │ ╭├│ ╮│
│ ╲ \/╰︶╯ \()彡) │ │││ ││
│ \ │╭℃ \╱╰ ╯ │ ││┼─┼┤
│ ╭ ╮ / ╰╯╱ ╭╮│ └└└──╯
│(ゞ()︳ \∥ ╰ッ│
│\╰ ╯\\ // _︵_ ││
│\\ \ㄟ// (_災_) / │ 古人画梅讲究“体要古,杆要怪,枝要清,梢
│╭⺗-へ ︳/-╮ ╰⌒╯/ │
│╰╯︶╱╱-、╲ \/ │ 要健,花要奇”,前四条中体古、杆怪、梢健
│ / ( ╲ 乁 │ │
│ [っ \ \ ︳\/⺗╮│ 正是不材在下所擅长的,而枝清无非是多用直
│ 乁 ╰ヘ─ノ \ / ╰╯│
│╲│ \し__︵ 彡╲_⺁\ │ 线条。而难点在于“花要奇”,synyan从前的
│ ╭ ╮ ︺ ╲_ `﹞│ ╭ ╮
│ (ゞ() │ ╱ \ ( │ (¤))个人认为非常经典,但梅花的花蕊用¤
│ ╰ ╯ \/ / / │ ∥_/ │ ╰ ╯
│ ╲/ /▔ ̄ / 川[ │ 似乎不太合适相比之下“米”更好一些,但为
│㈤ \│ ╱ / | ︳ │
╚╮_______________________╭╝ 了配合其他的方向,就退而求其次用了ゞ彡
╚╚ ╝╝
发信人: wumi0212 (五迷), 信区: ASCIIart
标 题: Re: 梅兰竹菊
发信站: 水木社区 (Mon Jun 9 20:50:02 2008), 站内
这几天放假回了老家,现在把欠的补上来
╔╔_______________________╗╗
╔╯ ╰╗ ╭┐ ╮
│ /︳ (\ │ ┌─┴─┴┐
│ (╰-╮丿) │
│ ︶)//╱ /︳│ ┌───╮
│\ (﹀ヘ-╭彡﹀-、 /│ │
│ \ ︶▔∥))╰-╮) / / │ └────╯
│\ ︳ ∥(╰︿、╯ / / │
││︳ ∥ ︶▔) /╱ │
│ \\ ∥ _____ // │ 兰花的叶子很细,用双线条画有很大的困难,
│ │︳╱╱-、\ ╱ │
│ // /╱ ╲\ // │ 要想画出正常的感觉就必须调整整幅画的比例。
│/│// ╱/ │
│ /│︳ / /│ │ 类似的叶子在Avene和Jier的花谱系列里都有精
│││︳ / / \\______ │
│││︳ / / ╱╱─、\ │ 彩的例子,但兰花的叶子要求要更高一些,要
│/ │︳ ╱╱ ╱╱\\ ╲\│
│︳/│ / / /╱ │︳ \│ 有凸有凹有转折,一根又长又扁的叶片在空中
│ ││ /╱ // \\ │
│ │/ // // \︳ │ 随着角度的改变,在视觉上就会出现各种变化。
│ // // ╱/ ㈤│
╚╮_______________________╭╝ 在我的组合版里,因为构图的限制牺牲了不少。
╚╚ ╝╝
发信人: wumi0212 (五迷), 信区: ASCIIart
标 题: Re: 梅兰竹菊
发信站: 水木社区 (Mon Jun 9 21:12:28 2008), 站内
继续
╔╔_______________________╗╗
╔╯ ╰╗ ├┬├──┬
│ ____ 、 /╱| ︱ | ︱│ │ │
│ ヘ-﹀')╲〞 | ︱ | ︱│ │ │
│╲ /╱│ ╲ | ︱ ︾っ│ │ │
│ ╲ 〞|/ ╰︾っ | ︱│ │ │
│____\ 〞 | ︱ | ︱│ └╯ ──╯
│ヘ﹀')、 | ︱╲ | ︱│
│ /╱/ ╲ | ︱ ╰︾っ│ 古人画竹节要求“上一节须覆盖下一节,下一节
│ 〞″ ︵、 | ︱ | ╱│
│ ╱∕)╲ | ︱ ╱︱│ 须承接上一节。”“上一笔两头放起,中间落下,
│╲ /╱|/\|╰︾っ-╭(╲ │
│ \ " ″〝 | ︱ │|╲\│ 如月少弯,便见一杆圆浑,下一笔看上笔意趣,
│ ╱)╮ ____\ | ︱ \| `│
│/╱|/╲ヘ﹀') | ︱ 〝 ︱│ 承接不差,自然有连属意。”所以我选用了︾っ
│" ″ ╲ |/ \| ︱ | ︱│
│ _____︵、 | ︱ | ︱│ 这种符号组合正好有这种连贯的感觉。至于叶片,
│ ヘ-﹀'∕)─︾っ | ︱│
│ /╱|/ | ︱ ─︾っ│ 线条画的弊端就再一次暴露无遗了,我多用叶片
│ " ″ | ︱ | ︱│
│ ㈤ | ︱ | ︱│ 互相覆盖多少可以掩盖一些,还有叶尖用 " 是
╚╮_______________________╭╝
╚╚ ╝╝ 让尖头感觉不那么生硬。
发信人: wumi0212 (五迷), 信区: ASCIIart
标 题: Re: 梅兰竹菊
发信站: 水木社区 (Mon Jun 9 21:43:48 2008), 站内
全写完了
╔╔_______________________╗╗
╔╯ ╰╗ ┌─┼─┼┐
│ ╭╭╭╮╮╮ │ ┌────┐
│ ╭( (_╲..╱_) )╮ │ ╯└╮├╯│
│ (╭-(__ :∷: __)-╮) │ ┌─┬┼─│
│(_╰╭(_╱/\╲_)╮╯_) │ ╭ │├╮│
│ ╱╰-(_/ \_)-╯╲ │ └─╯┘┘╯
│ ︶╱ / /︶\ \ ╲︶╮ │
│ ︶╰-^﹀^-╯︶ㄚ( │ 这幅菊花是我最开始画的,因为我觉得画菊花花
│ ╭︿-╮│︳ )\ㄥ ) │
│ 乁╲( \\ (╱_ㄏ │ 朵是最难的,一是花瓣太多太密,二是花瓣之间
│ ︶▔▔\\╱︶ ︵_│
│ _︵_ (︶\ \\ _) /│ 是交错生长的。画完了花瓣,再说叶子,菊花的
│ ( ╲︶_╲乁 \\ ( \/(│
│ 乁▔フ ▔︶▔\\ )/ │ 叶子“五岐四缺”在国画中都是个难点,线条画
│ ︶ \\__⺁▔/│
│ (ヘ╮ │︳▔︶ │ 想表现出来最怕连贯性太差,线条太碎。很多人
│__︵)\ \ │︳ │
│ \__╲ㄟ__ │︳ │ 认为我的花颈画的转折太硬,其实正是前面的花
│乁︶╱ ̄︶╱ヘ┬┤︳ │
│ ▔︶ヘ﹀ヘー╯│︳ ㈤ │ 叶所限,轻柔的转折必然让画面又增加了新的断
╚╮_______________________╭╝
╚╚ ╝╝ 点,使画面过于零碎。
Sender: wumi0212 Wumi, message area: ASCIIart
Title: Re: Plum, Orchid, Bamboo and Chrysanthemum
Sending site: Shuimu Community Thu Jun 5 22:01:56 2008 , within the site
Since I mentioned references, let’s talk about my creative ideas.
ッ四
彡
ゞ ッ
ㄟ Disaster: The ancients paid attention to painting plum blossoms: the body should be ancient, the stem should be strange, and the branches should be clear and the tips should be clear.
⺗ へ ⌒
To be healthy, flowers must be strange, the first four are ancient, the pole is strange, and the tip is healthy.
乁
[っ ⺗ This is exactly what Bucai is good at. And Zhiqing is nothing more than using straight lines.
乁 ヘ ノ
し 彡 ⺁ lines and the difficulty is that the flowers should be strange synyan's former
﹞
ゞ Personally think it is very classic, but the stamens of the plum blossom are used
Chuan [ does not seem suitable. In comparison, Mi is better, but for
(v)
In order to coordinate with other directions, I resorted to the next best option and used ゞ彡
Sender: wumi0212 Wumi, message area: ASCIIart
Title: Re: Plum, Orchid, Bamboo and Chrysanthemum
Sending site: Shuimu Community Mon Jun 9 20:50:02 2008 , within the site
I've been back to my hometown for the past few days. Now I'm going to make up for what I owe.
丿
ヘ 彡
The leaves of orchids are very thin and it is very difficult to draw them with double lines.
If you want to draw a normal feeling, you must adjust the proportions of the entire painting.
Similar leaves are featured in the Avene and Jier flower tree series.
Example of color, but the requirements for orchid leaves are higher.
There are convexities, concavities and turns. A long and flat blade is in the air.
As the angle changes, various visual changes will occur.
(v)
In my combined version, I sacrificed a lot due to the limitations of the composition.
Sender: wumi0212 Wumi, message area: ASCIIart
Title: Re: Plum, Orchid, Bamboo and Chrysanthemum
Sending site: Shuimu Community Mon Jun 9 21:12:28 2008 , within the site
continue
ヘ '
っ
っ
ヘ '
っ The ancients required that the previous section should cover the next section when painting bamboo sections.
The previous section must be carried over. The previous stroke must be placed at both ends and dropped in the middle.
っ
"If the moon is less bent, you will see that one stroke is round and round, and the next stroke is interesting.
ヘ ' It's not a bad choice, so I was naturally interested in joining, so I chose っ
"
This combination of symbols just has this sense of coherence. As for the blades
ヘ ' っ
っ The shortcomings of line drawing are once again exposed. I mostly use leaves.
"
(5) They can cover each other to some extent, and there are also leaf tips. "Yes
Make the tip feel less stiff
Sender: wumi0212 Wumi, message area: ASCIIart
Title: Re: Plum, Orchid, Bamboo and Chrysanthemum
Sending site: Shuimu Community Mon Jun 9 21:43:48 2008 , within the site
All written
..
: :
^ ^ ㄚ This chrysanthemum was the first thing I painted because I felt that painting chrysanthemums
ㄥ
乁 ㄏ Flowering is the most difficult. First, there are too many petals and too dense. Second, there are too many petals.
They grow in staggered patterns. After painting the petals, let’s talk about the leaves of the chrysanthemum.
乁
乁フ Leaves, five qi and four shortcomings are all difficult points in traditional Chinese painting. Line drawing
⺁
ヘ Many people are afraid of poor coherence and broken lines when they want to express themselves.
ㄟ I think the twist in my flower neck painting is too hard, but it’s actually the flower in the front.
乁 ヘ
ヘ ヘー V Ye Suoqing's gentle turning point inevitably adds new breaks to the picture.
Click to make the screen too fragmented