标 题: Re: ANSI培训班第一章作业 by percyshelley
发信站: 日月光华 (2008年12月11日16:30:36 星期四), 站内信件
首先,关于ANSI礼仪问题,你的理解是比较到位的:) 这里我补充一下,从别人的作品中
学习,这是非常好的提高自己水平的方法,但要注意的是它和copy的区别。后者是几乎
不加入自己的想法,只是在别人的基础上稍作修改,这就是不允许的了。
从你的这三副作品和最近po在版面上的作品来看,你有着不错的天赋,但也有需要改进
的地方,而且这些改进是不难做到的,也就是说你稍加努力可以在短期内获得很大的进
步:) 赞美的话我就不多说了,以下是我的建议,要是拍得狠了不要介意。。。
1,注意细节。你的作品通常是一眼看上去感觉不错,但再一看来还是有很多需要继续斟
酌的细节。比如第一幅中的话筒,太阳的五官;又比如色块作品中一些由转图造成的小
短线和整体轮廓。建议你在选择字符的时候可以多试试不同的字符,这就像写文章一样
,虽然要表达清楚意思的话有好多种选择,但其中总有一个最好的,是需要一些努力才
能找到的:)
2,配色。建议你更大胆地尝试配色。也就是说,有很多时候画出来的事物的颜色不一定
要是它本来的颜色,而可以是为了整幅画面的协调而选用其他的颜色,当然这通常是在
非写实风格的时候。配色不仅是为了让物体更容易被识别,更是为了画面的美感,所以
一副画里,颜色最好不要超过3种(不包括亮暗)。另外,整体风格也要统一,也就是说
,冷暖色调最好有一个主次关系,比如想突出的东西(前景)用了暖色,背景就可以多
要是它本来的颜色,而可以是为了整幅画面的协调而选用其他的颜色,当然这通常是在
非写实风格的时候。配色不仅是为了让物体更容易被识别,更是为了画面的美感,所以
一副画里,颜色最好不要超过3种(不包括亮暗)。另外,整体风格也要统一,也就是说
,冷暖色调最好有一个主次关系,比如想突出的东西(前景)用了暖色,背景就可以多
用用冷色,而不要在背景中也用了很多前景所大量采用的颜色,而淡化了主题。
3,接下去先完成第二章和第七章吧,借这个机会系统地学习一下色块的画法:)
Title: Re: Chapter 1 Assignment of ANSI Training Course by percyshelley
Sending site: Sun and Moon Guanghua December 11, 2008 16:30:36 Thursday, site mail
First of all, regarding the ANSI etiquette issue, your understanding is quite good: Here I will add that I learned from other people’s works.
Learning is a very good way to improve one's own level, but one thing to note is the difference between it and copying. The latter is almost
Without adding your own ideas, just slightly modifying someone else's work. This is not allowed.
Judging from your three works and the works posted recently on the page, you have good talent, but there are also areas that need improvement.
and these improvements are not difficult to make. That means you can make a lot of progress in a short period of time with a little effort.
Step: I won’t say much more about compliments. Here are my suggestions. Don’t mind if the shots are harsh.
1. Pay attention to details. Your work usually looks good at first glance, but at second glance there is still a lot to work on.
Consider the details, such as the microphone and the facial features of the sun in the first picture, and some small details caused by the transfer of images in the color block work.
Short lines and overall outlines. It is recommended that you try different characters when choosing characters. This is just like writing an article.
Although there are many options to express your meaning clearly, there is always one that is best and requires some effort.
What can be found:
2. Color matching. It is recommended that you try color matching more boldly. In other words, there are many times when the colors of things drawn are not necessarily the same.
If it is its original color, you can choose other colors for the coordination of the entire picture. Of course, this is usually
When using a non-realistic style, color matching is not only to make objects easier to identify, but also for the beauty of the picture. Therefore
It is best not to have more than 3 colors in a painting, excluding light and dark. In addition, the overall style must be unified. That is to say
It is best to have a primary and secondary relationship between warm and cold tones. For example, if you want to highlight something, you can use warm colors in the foreground and more in the background.
If it is its original color, you can choose other colors for the coordination of the entire picture. Of course, this is usually
When using a non-realistic style, color matching is not only to make objects easier to identify, but also for the beauty of the picture. Therefore
It is best not to have more than 3 colors in a painting, excluding light and dark. In addition, the overall style must be unified. That is to say
It is best to have a primary and secondary relationship between warm and cold tones. For example, if you want to highlight something, you can use warm colors in the foreground and more in the background.
Use cool colors instead of diluting the theme by using a lot of colors in the background and in the foreground.
3 Let’s finish Chapters 2 and 7 first. Take this opportunity to systematically learn how to draw color blocks: