发信人: Quina (俺是董卓), 信区: ANSI
标 题: nanapin体的探讨(2) By ls200@水木
发信站: 日月光华 (2002年10月20日19:55:10 星期天), 站内信件
发信人: ls200 (ls), 信区: ASCIIart
标 题: nanpin体的探讨(2)
发信站: BBS 水木清华站 (Sun Oct 20 02:28:14 2002), 站内信件
上一节说了字线条组成的15个基本字符,我们可以看到他们几乎都是直来直去
的线条,所以对于“横”、“竖”两种笔划来说比较简单。需要注意的就是起笔和
收笔了。对于“横”,一般采用╔╚来起笔,╔的起笔很象书法里的藏锋,而╚的
起笔多用在下面的横中;收笔则比较自由,选择╗╝都可以,一般在上面的横用╗
,在下面的横用╝。比较下面几个字,看看横的变化感觉是否相同。
╔═══╗ ╚═══╝ ╚═══╗ ╔═══╝
╔══╗ ╔══╗ ╔══╝ ╚══╗
╚════╝ ╔════╗ ╚════╗ ╔════╝
竖的情况和横类似,只是这里分成了左右,具体的请大家自己体会。
当有几个横或竖并列的情况时候,可以适当将其中的某几个直角变换成圆角,
这样使字富于变化,不至呆板。
点的写法可以感觉点在字中的具体位置适当变化成横或竖,对于小的点也可以
用直转角的╔ ╗╚ ╝,但注意,此时尽量不要用圆弧。
撇捺比较难写,因为它们都是斜方向的,而我们这里只有横和竖可用,这时就
要变通了。因为一般写字都是有上下文的,所以只要意思到了即可,所以短撇可以
转化成横,而长撇则转化成竖,还可以在收笔的位置加上圆弧,来表面这是一个斜
线的笔划。而捺则一般转化为横或点!
对上面说的举几个例子(这都是我自己写的,可能没有nanapin原版漂亮)
╔╭═══╗ ╔═══╬╗ ╔═╦╗
║ ╚ ╭═══╯ ╔╗ ║ ║║
╚╔═══╗ ║╔═══╮ ║║ ║ ║║
║ ║ ║╠═══║ ║║ ║ ║║
╔╰╭══╯ ║║═══╣ ╰╝ ╠═╩╯
╰╰╯╚══ ╯╝ ╰═╝ ╰══╝
╔══╦═╮ ╔══╦═╮ ╗╭═╗╔╮
║ ║ ║ ║ ╗╠═╮╔╬
╔═╦╯═╮ ║ ║ ║ ║╠═╣╔║
║ ║ ║ ╠══╬═╣ ║╠═╣║║
║ ║ ║ ╠══╬═╣ ║╩═╣╰║
╚ ╚ ╝ ╯ ╝╰╝ ╰╚╯╝╰╝
当然这其中的变化你可以自己掌握,不必拘泥与我所介绍的,最终目标只有一
个:让字更漂亮,使字更容易认出来!
下一节讨论讨论字的结构安排问题。
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※ 来源:·日月光华 bbs.fudan.edu.cn·[FROM: 10.100.127.115]
Sender: Quina I am Dong Zhuo, message area: ANSI
Title: Discussion on nanapin body 2 By ls200@水木
Sending site: Sun and Moon Guanghua October 20, 2002 19:55:10 Sunday, site mail
Sender: ls200 ls, message area: ASCIIart
Title: Discussion of nanpin bodies 2
Sending station: BBS Shuimu Tsinghua Station Sun Oct 20 02:28:14 2002, site mail
The previous section talked about the 15 basic characters composed of lines. We can see that they are almost all straight.
lines, so it is relatively simple for horizontal and vertical strokes. What needs to be paid attention to is the starting stroke and
The pen is closed. For horizontal strokes, the starting stroke is generally used. The starting stroke is very similar to the hidden edge in calligraphy.
The starting stroke is mostly used in the lower horizontal position. The closing stroke is more free. You can choose any one. It is generally used in the upper horizontal position.
Use it on the horizontal lines below. Compare the following words to see if the changes in the horizontal lines feel the same.
The vertical situation is similar to the horizontal situation, except that it is divided into left and right. Please experience it for yourself.
When there are several horizontal or vertical juxtapositions, some of the right angles can be appropriately transformed into rounded corners.
This makes the characters more varied and less rigid.
When writing a dot, you can feel the specific position of the dot in the word and change it into a horizontal or vertical position. It can also be used for small dots.
Use straight corners, but be careful not to use arcs at this time.
It is more difficult to write because they are all diagonal, and here we only have horizontal and vertical ones available. At this time,
I have to adapt, because generally writing has context, so as long as the meaning is conveyed, abbreviation is okay.
Convert it to horizontal, and convert it to vertical for long strokes. You can also add an arc to the position where the pen is closed to show that it is an oblique angle.
The strokes of the line are generally converted into horizontal strokes or dots.
Let me give you a few examples of what I said above. They are all written by me. They may not be as beautiful as the original version of nanapin.
Of course, you can control the changes yourself. You don’t have to stick to what I introduced. The ultimate goal is only one
Make the words more beautiful and make the words easier to recognize
The next section discusses the structural arrangement of words
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 10.100.127.115]