发信人: yac (我的世界啦啦啦~~~~), 信区: Asciiart
标 题: Ascii入门 (有点汗-__-b)
发信站: 自在心语 BBS 站 (Fri Jun 4 21:50:02 2004), 转信
又起大题目了。。。。。
Asciiart其实是一项很个人化的东西,没有什么标准也无所谓好坏优劣,而就像水木Ascii
版上所写的多细看,多动手,多交流,你也能拥有自己的Asciiart。在我看来,做Ascii最
重要是心,Ascii和其他的工具一样,都是用来表达你的想法、感觉、情绪的。将个人的情
感融入Ascii作品中,作品才会充满灵性,才能打动人。
下面步入正题,一个新手如何来学习Ascii。前面我转载了很多教程,有人说太多了,没关
系,其实也只是个参考,大家可以看看学习别人的手法。首先要做的是下载一个Ansieditor
和Bmp2Ascii。然后是了解一些常用的Ascii控制符,比如各种颜色*[30m~*[37m ,*[1m是高
亮,*[5m是闪烁等。这些我也不是很清楚,可以参考水母Asciiart精华区。
然后就可以尝试一些小的作品了:)
个人建议先从线条画学起,而色块作品相对是比较难的,尤其是一些明暗对比之类的
这也是我的色块一直都很弱的原因。
而所谓的小的作品不是说篇幅,而是说结构比较简单,比如只是一个物体,而不牵涉到
背景,光照等等。其实大幅的作品应该是比小的作品容易,浓缩出精品么。
而且,小的作品也常常更容易凸现出作者对某一个字符的妙用。
大幅作品则要胜在可以使用的字符更多,因而表现效果更好些。
而作为进版,首先要突出版面的特色,同是也要保证清楚简洁,这样就能做的很好了。例如
班版就可以突出班级的温馨,或者某一方面的特长等等。
也没什么可写的了,希望大家都能够多动手,多交流,
把我们的自在心语建设得更加美丽~~!
Sender: yac my world la la la , mailing area: Asciiart
Title: Introduction to Ascii, a little sweaty b
Sending station: Zizaixinyu BBS station Fri Jun 4 21:50:02 2004, forwarded
Another big problem arises
Asciiart is actually a very personal thing. There is no standard and no good or bad thing. Just like Mizuki Ascii
Pay more attention to what is written on the board, do more hands-on work, and communicate more. You can also have your own Asciiart. In my opinion, doing Ascii is the best way.
The important thing is the heart. Ascii, like other tools, is used to express your thoughts, feelings, and emotions.
Only when feelings are integrated into Ascii's works can the works be full of spirituality and move people.
Now let’s get to the point. How does a novice learn Ascii? I have reprinted many tutorials before. Some people say it’s too much. It doesn’t matter.
Department is actually just a reference. You can learn from other people’s methods. The first thing to do is to download an Ansieditor.
and Bmp2Ascii and then learn about some commonly used Ascii control symbols, such as various colors *[30m *[37m *[1m is high
Bright *[5m means flicker, etc. I am not very clear about these. You can refer to the Jellyfish Asciiart essence section.
Then you can try some small works
Personally, I suggest you start with line drawing. Color block works are relatively difficult, especially those with light and dark contrasts.
This is also why my color blocking has always been weak.
The so-called small work does not mean the length, but the structure is relatively simple, for example, it is just an object and does not involve
Background, lighting, etc. In fact, large-scale works should be easier than small works. Can you condense it into a fine product?
Moreover, small works are often more likely to highlight the author's wonderful use of a certain character.
Larger works are better because more characters can be used, so the performance is better.
As for publishing, we must first highlight the characteristics of the layout, and also ensure that it is clear and concise. This way, we can do a good job. For example,
The class version can highlight the warmth of the class or the specialties in a certain aspect, etc.
There is nothing more to write. I hope everyone can do more and communicate more.
Make our free heart language more beautiful