发信人: onlyone (欧灵婉|仙4), 信区: ASCIIArt
标 题: Re: 范晓萱版看板2……
发信站: 北大未名站 (2007年08月27日00:48:45 星期一), 转信
这里随便也讲一些作看板的技巧把
一般来说看板只有5行(当然现在7行了,但是依然建议主要的文字和画面内容集中在5行内)
那么来比较一下两种"萱"
╰┼┼╯ 1
╭───╮2
七 ┼ナ1 ╭─╮ 3
▕ラ_乄 ╭亠,2 ╰─╯ 4
/ㄩ _ㄖ 3 ─── 5
这里把造字技巧抛开不说,前者只用了三行,而后者用了5行,对于看板来说已经是极限
这样就会使得整个画面的主题就是这么一个大字比较死板
而利用前者的写法,还有两行可以修饰,作花边作图案什么的
总之就是建议大家,不要把画面中的东西撑的太大,就算是主要内容
Sender: onlyone Ou Lingwan Xian 4, message area: ASCIIArt
Title: Re: Fan Xiaoxuan’s version of Kanban 2
Sending station: Peking University Weiming Station August 27, 2007 00:48:45 Monday, forwarded
Here I will also talk about some techniques for making Kanban boards.
Generally speaking, the signboard only has 5 lines. Of course, it now has 7 lines. However, it is still recommended that the main text and screen content be concentrated within 5 lines.
So let's compare the two "Xuan"
1
2
七ナ1 3
ラ 乄 亠,2 4
ㄩ ㄖ 3 5
Putting aside the word-making skills here, the former only uses three lines, while the latter uses 5 lines, which is already the limit for Kanban boards.
This will make the theme of the entire picture just such a big character rather rigid.
And using the former writing method, there are still two lines that can be modified, such as lace, patterns, etc.
In short, I suggest you not to make the things in the picture too big, even if it is the main content.