发信人: Castellio percyshelley@Right to Heresy , 信区: ANSI 标 题: ASCII名家点评之sylow篇by onlyone@bdwm zz 发信站: 日月光华 2009年04月10日20:54:20 星期五 , 站内信件 发信人: onlyone 欧灵婉 我是o组织的人儿了啊 , 信区: ASCIIArt 标 题: ASCII名家点评之sylow篇 发信站: 北大未名站 2008年08月07日02:10:51 星期四 , 转信 写在前面的话 正如大家想的一样 时隔半年 某茄的名家点评系列总算是重新复刊 了 而时值举国欢腾的特殊时期以这样特殊的方式重新把各位拉入ANSI的 海洋中 正所谓气息改变情意不变茶香飘满情意啊.... 想来玩ANSI也快两年了 更多的时候给自己的定位却只 ... 能是一个匠人 只是将自己熟练的技法不断的重复 也便 z 配不上ANSI爱好者的称号 此回重新执笔名家点评系列 一则为各站近期涌现的新人补充ANSI历史 二则也是 让自己暂时搁笔去静心探索全新的创作方式的过程 Ц >ー 美其名曰 这是一次与读者你共勉的交流 不过 话说回来 最近的作息也是诡异到时常在桌前度过 所以文章中有什么错误还望及时指正哦 qie > > 名家点评之sylow篇 ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ 作者简介 ﹢ ﹢ 我们常常说时势造英雄 对于ASCII 界来说 03年的非典时期 ﹢ 便算是最恰当的时机 在这时大量的后来的知名画手都以新人的姿 ﹢ 态参与了紫霞和水木等热门站点的讨论 让ASCII 界从01年flubbe ﹢ r 的出现后再次迎来了一次讨论热潮 ﹢ ﹢ 在03年的新生力军中 来自光华的sylow 是一个相当典型的画 ﹢ 手 无师自通的他遇上了紫霞最华丽的讨论群体 在flubber lst ﹢ ar等前辈的指引下 线条技艺得到了迅速的提高 但是sylow 最宝 ﹢ 贵的地方在于不断思考 借鉴前辈的同时也在不时的创新和超越自 ﹢ 我 在后期的线块混搭的风格引起了ASCII 最高的轰动 也使其最 ﹢ 终成为那代画手中的一道丰碑 ﹢ ﹢ 代表作品 ﹢ 燕曦美工系列 八骏图系列 海贼王系列 DN 小镇风光 ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ 画作信息 ﹢ ﹢ 因为zixia 个展的兴起 sylow 的大量作品是为大家所熟知的 ﹢ 而不得不提的是 sylow 的个展至今还是ASCII 界最大的悬念之 ﹢ 一 sylow 的风格多样 技法的选择和搭配上兼容并蓄 是一位难 ﹢ 得的全面型画手 但是总体上说 sylow 喜欢动漫的题材 在前期 ﹢ 的风格应该是受到大量的flubber 的影响和启发 而在后期的线块 ﹢ 混搭中吸取了Gatchaman的技巧 ﹢ ﹢ sylow 也是一位多产的画手 至今仍有相当数量的画作没有公 ﹢ 之于世 在他和windream的带领下 日月光华站点走入了ANSI鼎盛 ﹢ 时期 sylow 的风格也影响了下一届的几乎所有知名画手 如cdia ﹢ blo justify等 在第一个部分 我们主要来欣赏其的早期线条作 ﹢ 品 有代表性的八骏图和龙图 space ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ , , ﹐ , , , ぐ , ㄟ , ,丿 ' 乀 丿 , ' < ㄢ < < ノㄣ < 夕 楼 ' Sylow 圞 上图为八骏图主题SMD 下图为主题QMD , , , 彡く , 仌J 7ミ ノ ㄢ 氵 , 灬, , , ﹚ , 夕 ノ'' ' ﹚ ヾ亅 入 ノ 7犭 く フヘ ゞJ 楼 ㄟ '丿 乀 ㄣ L , S ㄟ 乁' ー' ㄟ < ㄟ , , ,ノ , ' 乀. ノ ⌒ ソ ' , ﹨ 入 ' , ⌒ ' , 入 ' し ﹨, 亻 ' ソ ' へ 入 , 亻 ヽ ,ゝ ﹨ノ ヘ 夕 楼 V ' ﹨ Sylow ﹨ 丿 ' ﹨ 乀 . レ ' ﹨ へ 乁 ﹨ , ﹚ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ 技法点评 ﹢ ﹢ 两幅看似简单实际上很需要功夫的图 细节上使用字符之准确 ﹢ 妙不可言 令人拍案叫绝 在诗词歌赋中有有 炼字 之说 一句 ﹢ 诗 一行词 往往有那么一两处的字 是需要作者不断尝试不断更 ﹢ 换的 直到有那个特别的字出现 让整句诗都闪耀起来 做ANSI ﹢ 也是一样的 若想让自己的作品至臻 必须对细节以最强的苛求 ﹢ 在这点上 sylow 为我们做出了最好的榜样 无论是用ㄢ 入表现 ﹢ 双马腿 用氵 仌 ゞ表现不同朝向的马鬃 还是用ソ 入 亻作 ﹢ 为龙翼的连接 都是值得大家细心去揣摩的 ﹢ ﹢ 但是要注意的是 作者的 炼字 是建立在比例合适的完整构 ﹢ 图的基础上的 初学者更应该把注意力集中在构图调整上 好用的 ﹢ 字符多记一两个也便很够用了 像sylow 这样完整构图并精雕细节 ﹢ 的风格姑且称为工笔流的话 下期要介绍的windream就是典型的写 ﹢ 意流 两位光华的大侠在风格上相辅相成 下回分解 ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ 画作信息 ﹢ ﹢ 看的不过瘾 其实好戏在后边呢 在一段时期后 由于sylow不 ﹢ 大喜欢即做即发 因此估计大约在05年前后 sylow开始了把目光转 ﹢ 向台湾的ANSI技法 进行了大规模的色块作品创作 切入点是动漫 ﹢ 人物 sylow 的色块又可以分为前后两期 在前期和台湾画手差别 ﹢ 不大 同样是重视光影和细节的处理的 其中有着很多的细节技巧 ﹢ 在欣赏之后会详细分析 而在后期 sylow 更是难能可贵的把一些 ﹢ 粗线条引入了色块画面中 利用视错觉竟也营造出一种和谐的效果 ﹢ 可以说是flubber 之后促进色块发展的第二人 ﹢ ﹢ 不像之前的线条画 后面展示的三副色块各有特点 需要读者 ﹢ 反复品味并且关注细节 带着思考去看 space ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹨ ﹨ ﹨ ﹨ ﹨ ﹨ " ﹨ ﹨ ﹨ Sylow Sylow ﹨ ﹨ Xi Lou " ﹨ w Note: Because the code is too long, I drew it ' w o The original logo on the face is hope view y ' o l Friends who want to see the full picture of the original picture, please go to S ' l S y zixia searches for sylow solo exhibition ' ' ' '. ' " ' ﹨ ' $" $ $ $ Xi Lou " <" < , ﹨ " " .< ﹨ Ⅱ Ⅱ oY, " ﹨ ㈩ . ㈩ } , " ﹨ Ⅱ Ⅱ レ' < " , """" " ," > , "P ya " , ' , y" ﹨ ,YX"VVV " ^ ,o , Y > ⺌> , ,o , " " 卌 vㄣ} " y" , > , " y" V" " >< y" " y" ⅢⅢ ", " "⌒ ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢﹢ Technique comments ﹢﹢ Let’s talk about the first Kenshin first. This is a work that is perfect in composition and details. ﹢ I think you should pay attention to at least three points when looking at this picture: 1. The effect processing of the blade and back of the knife ﹢ The defect of poor vertical continuity of color blocks. Interestingly, the lines are exactly the opposite. It is very popular. ﹢ It has been well handled. The method of emphasizing the meaning rather than the form requires us to understand it carefully. Just imagine using the image transfer﹢ Is it possible that the tool has such an effect? ​​2. The processing of the overall light source. Pay attention to the color of the clothes. ﹢ Dark blue light product indicates that the light source here uses red light. If the overall light source is consistent ﹢ The highlights of the hair should be bright red, but the author wanted to deal with the more detailed light and dark of the hair. ﹢ Gradient wisely enables the dark yellow as the highlight. Of course, it is still recommended that everyone use it. ﹢ The whole picture has a unified light source, but the author’s eclectic usage is worth learning from. 3. Yi Zhe ﹢ The details are processed. The three colors of blue, black and white are harmoniously distributed here, which brings out a strong three-dimensionality. ﹢ Sensation This part is what mainland painters lack. It is not a matter of difficulty, but of range. ﹢ There are too few examples. Friends who want to try color blocks should take a look at sylow’s solo exhibition. ﹢ ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢﹢ ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ Technique Comments ﹢ ﹢ Let’s talk about the second piece of One Piece. The purpose of the display is to make everyone think about the composition of color blocks at a small angle. ﹢ The processing skills in the picture are a small horizontal angle of 30 degrees, which cannot be imagined using lines. ﹢ Of course, the author has also created vertical small-angle line drawings like Sharjah, which I will skip here. ﹢ The highlight of the picture is the two-color shading of the mast, but not the hull. ﹢ perfect ﹢ ﹢ The final D.N. is a masterpiece. I believe readers who see it for the first time will be surprised. ﹢ Well, it turns out that ANSI can draw like this. It seems a bit awkward at first glance, but look at it carefully a few times. ﹢ A different charm comes out. Look at the simple three color blocks on the face, but the proportions are ﹢ Impeccable. Look at the highlights brought by Apple and the half-color block optical illusion in the lower left corner. 1 ﹢ A bright snake fruit is displayed in just a few cells. Of course, the most special thing is the main one ﹢ The one before the horn and the god of death is the transition between the two, and it is also between the color blocks and the lines. The transition of ﹢ The author's ingenuity is by no means ordinary. Such a laboratory style may be followed by ﹢ There are not many readers, but it is they who have inspired generations of new painters. ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢﹢ ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢﹢ Summarize ﹢﹢ Senior sylow, this creative master, has guided the discussion in the ANSI world for two years. ﹢ For a long time, he launched his own solo exhibition in 2006, but since then he has rarely appeared on public websites. ﹢ Perhaps many people know that sylow has left ANSI with one of the biggest mysteries. ﹢ The last two chapters of the solo exhibition that have been delayed for two years, and because Sylow senior is more inclined to paint. ﹢ Hiding it has to be said to be a big loss to the ANSI world. Sylow’s style has influenced ﹢ Almost all male style painters of the same generation are also beyond the reach of later generations. ﹢ ﹢ sylow is a fully developed painter of lines and color blocks. It can be said that he has reached the ANSI world. ﹢ The highest state after flubber, so as the head of the Five Little Heavenly Kings, it is placed first ﹢ This introduction is well-deserved. The person we will introduce in the next issue is another person from Sun and Moon Guanghua ﹢ The interesting thing is that the painter Windream is in complete contrast to Sylow. This is a dedicated artist. ﹢ A senior who is obsessed with lines, and the style of lines is also very different from sylow. The same period. ﹢ It is a blessing for Guanghua and even more fortunate for the ANSI community to have such comparisons among Taiwanese competitive painters. ﹢﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢ ﹢﹢ Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 222.70.71.112] Modification: Castellio modified this article on April 10, 21:22:08 [FROM: 222.70.71.112]