发信人: Castellio (percyshelley|Right to Heresy), 信区: ANSI
标 题: 新作 & 探讨
发信站: 日月光华 (2010年04月18日10:52:21 星期天), 站内信件
下面一幅是我刚画的东西。真人色块让我感到前所未有的棘手,主要原因是其复杂的光
影过渡与变化。与动漫不同,真人的颜色过渡非常不明显,让人无法判断阴影与本色的
分界线应该放在哪里。
我曾经试图将原图调高对比度,根据脸部颧骨、鼻梁等关键部位来确定明暗,却发现无
法同原图对应起来,变得非常古怪。
最后还是参考了转图的一些阴影走向。发现我现在的水平,完全无法企及转图的精确度
。我觉得动漫作品的绘制相对自由,即使有比较大的形变,基本特征抓住了,就八九不
离十。但绘制真人,真是差之毫厘,失之千里,甚至觉得还是跑程序比较能抓住神韵。
个人认为,跑程序并非一无是处。有时候程序转出来的图,一些细节处理能带来很大的
启示。譬如下面这幅作品中,左边人脸眉毛的上沿,转图中以红色构边,我觉得很好,
过渡就不是很突兀。
只不过,绘制中若被程序的效果限制了思维,就很少有原创的乐趣了。可能以后这类真
人作品还是得少画。虽然参考一些程序效果,会比较接近原图。但就好比量体裁衣,若
只是进行机械化操作,一千个人做出来的衣服都是一模一样的,那就没有乐趣了。
另外做下预告,这张图是一个系列的第一张,以后应该会越画越顺。这幅图画了整整一
天,ft。
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╱ 玻璃杯参考wut作品 へ ◥◣╲ /▔▆▄▂ \
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│▎ ▄ ::_ :: ▄ ◢█◣ _ ┃▋┃ へ ▎︳
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│▎钢筋水泥中 何处寻我失落的乐园 ◢▅◣ 〃 " ┃▋┃ " " 〃 ″ │
※ 来源:·日月光华 bbs.fudan.edu.cn·[FROM: 116.230.172.*]
Sender: Castellio percyshelley Right to Heresy, Area: ANSI
Title: New Works & Discussion
Sending site: Sun and Moon Guanghua April 18, 2010 10:52:21 Sunday, site mail
The picture below is something I just painted. Real-life color blocking is more difficult for me than ever before. The main reason is its complicated lighting.
Shadow transition and change. Different from animation, the color transition of real people is very unobvious, making it impossible to judge the shadow and true color.
Where should the dividing line be placed?
I once tried to increase the contrast of the original image to determine the light and dark based on key parts of the face such as the cheekbones and bridge of the nose, but found that it was useless.
When the method corresponds to the original picture, it becomes very weird.
Finally, I made reference to some shadow directions of the transferred image and found that my current level is completely unable to match the accuracy of the transferred image.
I think the drawing of animation works is relatively free. Even if there are relatively large deformations, the basic characteristics are grasped and it is mostly different.
Li Shi, but when it comes to drawing a real person, it’s really just a hair’s breadth and a thousand miles away. I even think it’s better to run a program to capture the charm.
Personally, I think that running a program is not useless. Sometimes some details of the pictures transferred from the program can bring great benefits.
Enlightenment. For example, in the work below, the upper edge of the eyebrows on the left side of the face is framed in red. I think it’s very good.
The transition is not too abrupt
It's just that if your thinking is limited by the effects of the program during drawing, there will be little original fun. Maybe this kind of real work will happen in the future.
People still need to draw less in their works. Although the effects of some programs will be closer to the original ones, it is like tailoring the clothes.
It’s just a mechanized operation and the clothes made by a thousand people will all be exactly the same, which is no fun.
Also, let me give you a preview. This picture is the first in a series. It should become smoother and smoother in the future. This picture took a whole year.
days ft
The glass cup refers to Wut’s works へ
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:: :: へ
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Where can I find my lost paradise among steel and concrete? " " "
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 116.230.172.*]