发信人: eggplant (茄子), 信区: ASCIIArt
标 题: Re: 借鉴了许多大虾的图案,攒了一个签名档
发信站: BBS 大话西游站 (Tue Nov 27 00:02:14 2001)
那个点字是从那幅“点滴的回忆”里面弄出来的吧
其他大概是自己写的 :)
写美术字我的看法是无须过于执着于书法和字型
在又大小或者装饰的限制下对字进行一定的变化是值得提倡的
只要不是改到没有人看得懂
相反,如果可以按照章法,比如我之前做得篆书得冰壶秋月
那个冰字很少能又人看得出,反而不好
好像是故弄玄虚一样
对字中得笔划进行一定得修改,点字就是一个很好得例子 :))
昨天还看到一个啵字,因为这个字三部分比较大,
作者会把口字边儿的右半不写出来
这样才能保持和其他字一样的大小整齐
写字其实最好是随心所欲,但是也是人在江湖身不由己啊 :P
那个签名档里面那颗心上的字用绿色,和红色搭配很刺眼,不协调
或许可以换成红底黄色会更舒服,而且一样的突出
中国传统的节庆装饰里红色配金色黄色是最多的 :))
Sender: eggplant eggplant, message area: ASCIIArt
Title: Re: Drawing on many prawn patterns to create a signature file
Sending station: BBS Westward Journey Station Tue Nov 27 00:02:14 2001
That braille was made out of bits and pieces of memories in that painting, right?
Others are probably written by myself:
My opinion when writing artistic calligraphy is that you don’t need to be too obsessed with calligraphy and fonts.
It is worth advocating to make certain changes to the characters under the restrictions of size or decoration.
As long as it is not changed so that no one can understand it
On the contrary, if you can follow the rules, for example, I used to do seal script and get Curling Qiuyue.
That word "ice" is rarely visible to anyone, which is actually a bad thing.
It's like it's a mystery
Braille calligraphy is a good example of making certain modifications to the strokes in the characters:
Yesterday I also saw the character "bo" because the three parts of this character are relatively large.
The author will not write the right half of the word "mouth"
This will keep the same size and neatness as other characters.
In fact, it’s best to write as you please, but people can’t help themselves in the world :P
The words on the heart in the signature file are in green and red. The combination is very dazzling and uncoordinated.
Maybe you can change it to red with yellow, which will be more comfortable and still stand out.
Among the traditional Chinese festival decorations, red and golden yellow are the most common: