发信人: eggplant (茄子), 信区: ASCIIArt
标 题: Re: 借鉴了许多大虾的图案,攒了一个签名档
发信站: BBS 大话西游站 (Tue Nov 27 13:45:13 2001)
【 在 mock (mock) 的大作中提到: 】
: 关于这个点字,其实就是见仁见智的.
: 在古代写字,经常因为某些原因(不算避讳)而重新安排笔划,
: 比如多一个点,少一个点,点变成小竖划等等.
: 这也算是汉字的一个魅力之处,字母文字就不成.
最近为这事儿还很头疼了一把
我教的一个中文班里面用的教材同一课书的两个字里面竖心旁就有两种写法
一个是这样的
|
/|\
|
也就是我们平时的写法
可是另一个却是这样的:
│
│┼
│
│
│
大约是有些行书的趋势
这只能说是港台输入法还有字体上没有一个比较统一的标准
搞的我都不知道怎么和学生解释
不过从这事儿也可以推想到在台湾的人做字体能那么随性
在平时看到的印刷物不同的字体会在笔划上有差异,这大概也有些关系吧
:P
: 当然有人喜欢写实,这是风格问题.
: 写实可能是思维受束缚,也可能是就是一种大巧若拙的风格,
: 这如同汉字的魅力一样,同样很吸引人的.
: 一片ascii作品真正的成功之处不在于像与真实,
: 而在于他背后流露出来的东西.
: 看看我最近的作品,几乎全是写实,
: 如果单纯的写实一点意思都没有,我也不会去费那么大的劲去创作了.
: ...................
Sender: eggplant eggplant, message area: ASCIIArt
Title: Re: Drawing on many prawn patterns to create a signature file
Sending station: BBS Westward Journey Station Tue Nov 27 13:45:13 2001
As mentioned in mock mock's masterpiece:
: Concerning this Braille, it’s actually a matter of opinion.
: In ancient writing, strokes were often rearranged for some reasons that were not taboo.
: For example, one more dot, one less dot, the dot becomes a small vertical stroke, etc.
: This can be regarded as one of the charms of Chinese characters, while alphabetical characters cannot.
I've been having a lot of headaches about this recently.
The textbook used in a Chinese class I teach has two ways of writing two characters next to the vertical heart in the same lesson book.
One is like this
That’s how we usually write
But the other one is like this
It’s probably a trend in running script
This can only be said to be that there is no unified standard for input methods and fonts in Hong Kong and Taiwan.
I don’t even know how to explain it to the students.
But from this, we can also infer that people in Taiwan can be so casual when making fonts.
Different fonts in printed materials that we usually see will have different strokes. This may have something to do with it.
:P
: Of course some people like realism, it’s a matter of style.
: Realism may be a result of restricted thinking, or it may be a clumsy style.
: This is just like the charm of Chinese characters, it is also very attractive.
: The real success of an ASCII work lies not in image and reality,
: But it lies in what is revealed behind his back.
: Look at my recent works, almost all of them are realistic,
: If pure realism had no meaning at all, I wouldn’t put so much effort into creating it.
:........................