Sender: Castellio percyshelley Right to Heresy Title: 2. The best scene of love and romance, Bai He Sending site: Sun and Moon Guanghua Thursday, February 10, 2011 12:58:05, site mail The author of the painting below is teacher windream Fengmeng. She specializes in line drawing and is not very good at color block drawing. She is good at it, but her painting "White Crane" has a unique charm, precisely because she is familiar with line drawing techniques. This color block work But it has a very line style. Thanks to her smooth and delicate line style, this work has no line drawing method. The weird feeling of painting color blocks has a fresh, refined and natural meaning. Too much nonsense. Let’s take the picture first. Please press space. Sender: windream 0024 2004 The white dove flies back, message area: ANSI Title: White Crane Sending site: Sun and Moon Guanghua Wednesday, January 12, 2005 15:12:21, site mail space , Let’s first evaluate the technique. You can see that the color block technique in this picture is very simple. The main subject is the torso of the white crane. It is similar to a quadrilateral. Judging from the thin legs, long beak, and feathers, these are all outlined with lines. of But this picture has a full color block effect. What is worth noting is its composition: clouds, sunrise, white cranes and water plants. They are all simple strokes, but they are all just right, especially the sunrise part, where the afterimage of the red sun is successfully depicted with color blocks. Together with Bai He's gaze, the whole picture becomes one. Speaking of composition, there is a similar work that is worth integrating. That is Shazhou Leng of lastwaiting Hanhai Nebula. Please press the space bar. Silence pick up "﹨ Loneliness is exhausted sand cold Island branch cold no Ken perch Su Shi 丿 ㄟ Xinghan sea ​​of ​​clouds This is also a very wonderful work. One of its wonderful features is that it successfully depicts the crane's spread of wings. The transition of color blocks is very smooth. Second, the black hollow treatment gives the work a unique charm. But compared with the masterpiece of Teacher Feng Meng, the composition is a little thin. The crane only has a shadow and sparse branches. Although it still gives people a feeling of silence and even some loneliness, the picture is not full enough. By the way, composition is a very common technical task. Although grass is added on the basis of the white crane, the sunrise and clouds will make The picture is full, but if not handled properly, it will give people a cluttered feeling. My personal experience is to blur background objects and clouds. Arrange the location reasonably, such as color, sunrise, etc. However, I often pay too much attention to unnecessary details. This is the composition of the picture. Hey. Furthermore, I would like to use this picture to talk about some of my painting experience. Master Sylow once said about the combined use of lines and color blocks. It is the highest state of dark silk painting, but I have always felt that only the smooth and reasonable combination of lines and color blocks is the highest state. If the two cannot be integrated into one, it will only make people feel cumbersome and redundant. You can look back at the wings of the white crane , At the tip of the wings, simple lines replace the white color blocks to express the black feathers of the white crane. Use diagonal lines to connect with the three character blocks, supplemented by other vertical lines and diagonal lines. The transition is very smooth and natural. This is done in the color blocks. Painting is the key to improving visual comfort In addition, Baiyun Huanghe's zycw also has a series of excellent works about cranes. Choose one of them, Baiyun Huanghe, to compare the two. difference in style press space bar Sender: Beller Huanyan, message area: ASCIIArt Title: White clouds and yellow cranes Sending station: BBS Westward Journey Station Fri Jun 3 20:13:11 2005 , forwarded Д ㄈⅡ ⌒ Д ㄒ Reprinting must maintain the complete version of the work. Tips Borrowing requires permission from the author Strictly speaking, Baiyun Huanghe should not be considered a space animation because it has too few frames. When I was first drafting, I wanted to draw various crane postures with the theme of white clouds and yellow cranes. It turned out that In this way, the spaces are connected in series to make it easier to see the effect^^ ⌒ ⌒ ⌒ ⌒ ⌒ ⌒ ⌒ ⌒ ⌒ zycw@baiyunhuanghe ⌒ ⌒ ⌒ ⌒ ⌒ ㊣ ⌒ by zycw ゝ ゝ There is a space animation about White Clouds and Yellow Cranes. You can check it out for yourself. I will only select the first one here. It can be seen that zycw completely uses color blocks to depict the crane's torso, which makes the three-dimensional effect stronger, but Fengmeng combines line color blocks Appears more delicate and smooth In addition, the use of colors in White Crane is also quite particular. Unlike zycw, which uses bright gray, white and green, Fengmeng only uses I used three colors: red, white, and black. Wait, are you wondering, how can black be considered one color? The answer is that black is not only the best color in the color block, because black can be matched with any other color. It creates the strongest contrast, and black is consistent with the background color of many pictures. Using black can make objects stand out more clearly. Relatively speaking, the use of bright gray is not so ideal. Of course, I don’t mean to criticize zycw. She still uses it very well. Because the difference between bright gray and most colors is not very obvious, it looks blurry when used in a large area. Of course The effect of using bright gray embellishments in details is quite good. This review over makes me more verbose than the last one. The glass cup refers to Wut’s works へ :: " :: :: へ :::: :: :: : " ::: へ Where can I find my lost paradise among steel and concrete? " " " Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 222.66.23.*]