发信人: Castellio (percyshelley|Right to Heresy)
标 题: 三、乱花渐欲迷人眼:《小镇风光(sylow)》
发信站: 日月光华 (2011年02月11日14:31:31 星期五), 站内信件
下面要评价的这幅作品,懂的人都知道,涉及暗丝史上一个史无前例的巨坑。
据不完全统计,公开跳坑的画手就有parr、windream、sylow、justify、
Lylian、crowyue等人,同时本人还深刻怀疑许多画手有地下的失败作品。
所谓小镇风光,缘起就是一幅图画作品,还是先看看这幅原图是怎样的吧:
http://farm1.static.flickr.com/134/351667338_fa471c269b_o.jpg
(以下时间段,建议一边看这图,一边看我啰嗦)
第一眼看到这幅图,肯定会觉得无比复杂纷呈,各种颜色、各种物品,各种
光影明暗,别说是绘制成ansi图像,就是照样临摹下来,也会觉得难以着手。
我们先抛开那些前人的画作(如果你一幅都没看过,那更好了),如若是
你,第一次画这张图,你会怎么处理呢?
先别抓耳挠腮乱急,wumi、parr、windream等人已经有了现成的经验指点。
wumi就曾点出(相关评论、作品详见ANSI精华区x-9-2-6):
在我看来,这副画最大的亮点应该是它表现出来的光影关系:中景的墙壁、阳台使用
了冷暗色调,与远景中的小巷深处形成了明暗、冷热的对比,加上远景中阳光扇及地
~~~~~~~~ ~~~~~~~~~~~~~~~~
面上的高光处理,以及近景的花上撒下的一缕阳光,这些丰富的光影变化,使整个画
面产生了纵深感,也渲染了一种生活情趣。
~~~~~~
就是说:你第一眼看到这图的时候,你的目光首先会被图中的小车阳伞吸引住,
因为那是全图光线最亮的所在,也位于画面的中心。你会从近处的花朵开始,
沿着石板路向远方,看到小车旁的花盆,楼梯,小车和阳伞,直至远处。
这是原图的纵深感和明暗对比所造成的感觉,而在做画中,关键是要做到取舍
和明暗处理:那些吸引你目光的关键物件要着力刻画(远处的景物不算,这些
会妨碍画面的纵深感),还要用适当的明暗、还原原图中间明、两侧暗的效果。
放胆在前辈后面说了这么多废话,再放胆臧否一句,所有的作品中,印象深的
也只有sylow的色块和parr的线条。无他,取舍、明暗得当而已。
说了这么多,还是来看看sylow的作品吧。请按space
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需要注意的是,虽然在原图中,近处花丛、石板路和上方的枝叶画得纤毫毕现、
非常精致漂亮,但就我的愚见,在ansi图中决不能明晰表现出来。windream、
justify和Lylian等画手,就是明确刻画出了石板路这一部分,不但喧宾夺主,
分散了对阳伞小车等关键部位的吸引力,更破坏了原图的纵深感。而大家也可
以看看,sylow和parr是怎么处理石板路的。
同样,近处的花丛虽然在明处,但过分的刻画,也会分散视线。一言以蔽之,
为了做到错落有致,非关键部分要简化简化再简化。
在parr的图中,近处花丛全改为暗色,大多只用直线、斜线勾勒;而sylow虽然
使用了高亮,但全部使用简单的三角色块,辅以亮点。
(事实上,本来右上侧的枝叶可以只用黑色阴影来勾勒,但可能为了平衡整个
画面,不让右上侧太过空洞,才使用了高亮绿色)
我们可以看看parr的《小镇风光》,正如wumi、windream所指出的,parr的图
中,大量使用了|这一最细的直线(这个技法在chive、kieslowski的图画中也
有广泛应用),而除了中间阳伞部分,两侧均为暗色。她营造明暗效果和纵深
感的苦心,希望大家也能感受得到。
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我觉得,复杂的大面积景物处理,应该是暗丝图中最难最顶端的部分了。
暗丝图不同于照片和美术画作,在临摹画作时需要大量的变形和取舍,同
时又要捕捉到原图的神韵,这是相当不易的。
最后,我再以一幅色块图,来说说这个问题:Gatchaman的《建筑与透视》
。(其实就是复旦大学正门,汗,原图如下:)
http://img.hc360.com/edu/info/images/20051213000005.jpg
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值得借鉴的:
1、左侧与后方树丛的处理。
2、校门的处理。
具体就不解释了。本次点评over。
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Sender: Castellio percyshelley Right to Heresy
Title: 3 The random flowers gradually become charming, small town scenery sylow
Sending site: Sun and Moon Guanghua Friday, February 11, 2011 14:31:31, site mail
Anyone who knows the work that I want to evaluate below knows that it involves an unprecedented huge pit in the history of dark silk.
According to incomplete statistics, parr windream sylow justify is one of the painters who openly jumped into the trap.
Lylian crowdyue and others. At the same time, I deeply suspect that many painters have underground failed works.
The so-called small town scenery originated from a picture. Let’s first take a look at what the original picture looks like.
http: farm1.static.flickr.com 134 351667338 fa471c269b o.jpg
During the following time period, it is recommended to watch this picture while watching my verbosity.
When you first look at this picture, you will definitely feel that it is extremely complicated, with various colors, various items, and various
Light and shadow, let alone drawing it into ansi image, even if you copy it, you will still find it difficult to start.
Let’s put aside those previous paintings first. If you haven’t seen any of them, that would be better. If so
This is your first time drawing this picture. How would you deal with it?
Don't scratch your head and worry about it. Wumi parr windream and others already have ready-made experience and guidance.
wumi once pointed out relevant comments. For details of the works, please see the ANSI highlights area x 9 2 6
In my opinion, the biggest highlight of this painting should be the relationship between light and shadow, the wall in the middle ground, and the use of the balcony.
The cold and dark tones form a contrast between light and dark, hot and cold, and the depth of the alley in the distant view. In addition, the sun in the distant view reaches the ground.
The highlight processing on the surface and the ray of sunlight falling on the flowers in the close-up. These rich changes in light and shadow make the entire painting
The surface creates a sense of depth and exaggerates a taste of life.
That is to say, when you first see this picture, your eyes will first be attracted by the car parasol in the picture.
Because that's where the light is the brightest in the whole picture, and it's also in the center of the picture. You'll start with the flowers nearby.
Walking along the stone road to the distance, you can see the flower pots, stairs, the car and the parasol next to the car, until far away
This is the feeling created by the depth and light-dark contrast of the original image. The key to making a painting is to make trade-offs.
and shading. Focus on depicting the key objects that attract your attention. Distant scenery does not count.
It will hinder the sense of depth in the picture. Appropriate light and shade must be used to restore the effect of light in the middle and dark on both sides of the original image.
I have the audacity to talk so much nonsense behind my seniors and yet again I have the audacity to say no. Among all the works, this is the most impressive.
There are only sylow color blocks and parr lines. There is no other choice. Just the right light and shade.
Having said so much, let’s take a look at sylow’s works. Please press space.
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It should be noted that although in the original picture, the flowers nearby, the stone road and the branches and leaves above are painted in detail,
Very delicate and beautiful, but in my humble opinion, it can never be clearly shown in the ansi picture windream
Painters such as justify and Lylian clearly depict this part of the stone road, which not only distracts from the focus, but also takes away the focus.
It distracts from the attraction of key parts such as the parasol car and destroys the sense of depth of the original image. But everyone can also
to see how sylow and parr deal with the stone road
Similarly, although the nearby flowers are in the bright light, excessive depiction will distract the view. In a nutshell
In order to be well-organized, non-critical parts should be simplified, simplified and simplified again.
In parr's picture, all the nearby flowers are darkened, and most of them are only outlined with straight lines and diagonal lines. Although sylow
Highlights were used, but all simple three-character blocks were used, supplemented by highlights.
In fact, originally the branches and leaves on the upper right side could have been outlined only with black shadow, but maybe in order to balance the entire
To prevent the upper right side of the image from being too empty, I used highlight green.
We can look at parr's small town scene as wumi windream pointed out parr's picture
The thinnest straight line is widely used in this technique. This technique is also used in Chive Kieslowski’s drawings.
It is widely used. Except for the middle parasol part, both sides are dark, which creates light and dark effects and depth.
I hope everyone can feel the painstaking efforts.
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I think the complex large-area scene processing should be the most difficult and top part of the dark silk map.
Dark silk drawings are different from photos and fine art paintings. When copying paintings, a lot of deformations and choices are required.
It is quite difficult to capture the charm of the original image at the same time.
Finally, I will use a color block diagram to discuss this issue. Gatchaman’s Architecture and Perspective
In fact, it is the main entrance of Fudan University. The original picture is as follows
http: img.hc360.com edu info images 20051213000005.jpg
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The original image is relatively simple, and there is no strong contrast between light and shadow, but there are still some trade-offs.
Worth learning from
1 Treatment of trees on the left and rear
2. Handling of school gates
I won’t explain it specifically. This review is over
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 222.70.5.244]
Reprint: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 116.236.183.*]