Sender: Castellio percyshelley Right to Heresy Title: Five Road Turns Around the River Bridge Suddenly Sees Water Town Twelve Month Calendar Sending site: Sun and Moon Guanghua February 14, 2011 13:40:59 Monday, site mail Before commenting, let me explain that there are four scenes in Haoyuan’s Water Village Four Seasons. But I unreasonably didn’t choose any one and chose the adapted version of the Unnamed December Calendar. Because I don’t really like the tree on the right side of the picture, I will complain about it in detail later. excuse me Back to the topic, I suddenly discovered that most of the color blocks I like are landscape-based, to a large extent. This is because I see too many character-like color blocks, and I feel a bit tired of aesthetics. In addition, it is good to paint exquisitely, but classic works must be painted that have never been painted before and are unique. Any creative ideas? As for haoyuan’s work, L4KevinX and others have already made special comments. Let’s take a look first. Let’s see what other people think of this picture. Are you being lazy and trying to make up for the word count? Please press the space bar ﹡ ﹡ ⌒ Unnamed. ⌒﹡ Slightly drunk in Nana Winter's embrace ﹡ 11 21 12 22 13 *23 14 Volume 24 15 充吅 25 16 ﹡ ㄒ 26 17 乊 27 18 卌十 ⌒ 28 19 10 へ 29 20 .﹚30 31 ゾ ﹚ HaoYuan. I have to say that the biggest highlight of this picture is that it has the charm of a splash-ink landscape painting. The houses are paved with large black blocks. The roof outlines the structure of the house with ink lines that seem to be broken and connected, creating a misty scene in the water town. I don’t know if you have seen those black and white landscape paintings depicting ancient villages in Wuyuan, Jiangxi and Anhui. This is it. Feel In addition, L4KevinX has several comments about this picture. Select a paragraph. I really like the composition. Creating a sense of depth in blocks of color is my weakness. Especially when little color is used In terms of color matching, I also really like this three-color style. The aura of the lower half where water and trees gradually merge into one is very harmonious. Maybe it’s because the number of pixels in the color blocks is relatively low. Some details are not quite as good as they should be For example, the bright green on the trees looks a bit jagged. But the bright colors are really too restrictive and give me a headache. And the combination of yellow and white is better than green and white in terms of color 14 reviews are for Haoyuan's "Water Village" Four Seasons. I reproduced two of them, autumn and winter. You can also to compare them with the one I recommend. Please press space * 2 ﹒ へ ㄧ, .: ゜ㄧ . '. . ⺁ ユ 乛ㄒ , へ ㄧ ㄑ 乀 ゜ 吅﹨ . . ゜. ' 乁ㄧ 亖 . ャ . ﹨.:, へ ン Chuan . , ヽ ㄙ ㄟ . . ヽ : , . ﹒丨 卌卌, , Autumn ﹒ ﹡﹚ : ﹡ ﹡ ㄧ, ㄧ , ⺁ ユ 乛ㄒ * ﹡ ㄧ ㄧ 乀 ﹡ 吅 , ㄥ 丅 丁 俖 ﹨ ; Sichuan . 卌卌﹒ * winter 14 comments: Several points related to this picture: perspective, color, and highlight. Here are my concentrated complaints. time offend offend Regarding perspective, indeed, this picture uses black as the roof, which has a good spacing effect and enhances the picture. The sense of depth in the painting makes me even more convinced that black is an excellent color for creating a three-dimensional sense of color blocks and a sense of perspective. But I personally feel that the use of black in Water Town and Four Seasons is too much, which is more than enough, especially on the left side. The <-like black color is not well separated, which makes people feel confused. In contrast, the first Unnamed December Calendar uses moderate black and the effect is better. It is like a mountain. Can the charm of water painting be enhanced by using ink appropriately? Regarding color matching, I think the trees on the right side of Water Village Four Seasons are particularly special if they are made yellow, green or the like. It's unnecessary because the left and right parts of the picture would look too inconsistent. The house bridge on the left. The beams are made of black blocks and lines, which are carefully carved and have the charm of landscape paintings. But the tree on the right is made of large areas. Yellow and green rendering have the feeling of watercolor painting. Of course, there are also color renderings in landscape paintings. Works But this is difficult to achieve in dark silk paintings. There is not much difference in the colors of landscape paintings. The transition is very soft, which is exactly what is difficult to achieve with color block diagrams with sharp color contrasts. Among the four seasons, winter is the best, and that picture feels the best, with tens of thousands of jackdaws and running water surrounding the isolated village. a feeling of So much verbosity. Just one sentence. Personally, I prefer the Unnamed December Calendar. That’s the reason. Proper use of black in pictures and coordinated color matching By the way, let’s talk about the creation of dark silk paintings that imitate Chinese paintings. There are really not many such works. It’s a wonderful work in my impression. Of course, Flubber’s Plum, Orchid, Bamboo and Chrysanthemum and Gatchaman’s Horse Picture are the most recommended, but both are I started with small and medium-sized objects, which makes it easier to depict details. I am currently depicting large scenes, except haoy. In addition to Yuan’s works and Flubber’s Jiang Xue, there is also a little-known painting printed by The elephant is also very deep That is the ink painting by coni Gulang Tingtao. Please press the space bar. With a hundred greens above, below the ape yellow, Fangran's land can be west, but it is difficult to open silkworms, Shu is in danger. Hands ginseng steps into the mud, the crane returns high and has a high hook, and then collapses to serve as the hook, and comes to the country Cong Yu Dao Hu Xu "ヽ Fuli Jiuhe, the river of desire rushes to the sixth level, even Tianshan Hengtai, Qinsi Sihe, reaches the highest level. Yingjing folding plate, Du Fei, Bo Long, the ladder destroys all white and blocks thousands of fish and blues. It’s difficult. Sitting upright and lingering in the pan, worried about Shang, Ni Hui, Shi Zhuang'eyou, connected to the sky. Changweiyan can’t be climbed and folded. The stacker and the bird are thousands of people. Sighing before aiding the road of death, Yan Sui pass " " " It is undeniable that this picture has the shortcomings of using too much bright gray and the transition between the rocks on the right and the lower side is not smooth, but overall It feels quite tasty. Uh, I've been too weak these past two days, and the reviews are very inaccurate. If I'm wrong, please don't hesitate to give me some advice. Bow The glass cup refers to Wut’s works へ :: " :: :: へ :::: :: :: : " ::: へ Where can I find my lost paradise among steel and concrete? " " " Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 116.236.183.*]