发信人: Castellio (percyshelley|Right to Heresy)
标 题: 六、无边光景一时新:《四季进站(OrangeYu)》
发信站: 日月光华 (2011年02月15日16:16:45 星期二), 站内信件
从这次开始,我就推荐几幅自己喜欢的台湾色块作品吧。下面一幅,就是我
最喜欢,甚至可以称得上经典的作品:OrangeYu的《四季进站》,选取里面
《春进》和《秋进》这两幅。
所谓经典的作品,不但要给人赏心悦目的感觉,同时还要开一时风气之先
(众:开始作大报告了么。。。)。翻译成人话,就是让大家看了之后拍
案叫绝:我了个去,原来暗丝还能这么画!(借用茄曾经的评语)
暗丝界经典的作品不在少数。曾经flubber的《可乐罐上的水珠》、《双鱼》
,sylow的《D.N.》,就让ansier们大开眼界,开创了一系列的暗丝技法。
这就是暗丝的有趣之处:看似简单的字符,却能翻出这么多神乎其技的作品。
而今天介绍的这幅作品,也是无比地经典而有开创性,让台湾顶级的高手
missher给出了相当高的评价,摘录片段如下:
只有sylow的部份线条作品及Qemon的四季作品,
(我)见过之后能燃起热血创作之兴奋感
missher向来自视甚高,能让他加以青眼的作品,究竟是怎样呢?请按space
[春 - 进]
/── \) ◥▄_ ─。────────────────────
◢ ◢`v●)◥▃ Yu
▕ \▎ \ 1` _●\◢▄= ╮ · 这城市依赖着你
◥\ ζ◥ \◢●{●◥\ ( ㄋ
。 /◥\●●● λ_) 我决定离开这个城市—--
/\ ◣● ●˙ 。 ___
. ◣\_ ●˙· ╱ _╲
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/ (.\ ▆╲▃ , ▁◢◣_ˋ(_╱██ \Vˊ ◤\▔ ▏╲__/ -ptt.c
╲__/ ─ /──▔▔◥█◣ vV/◢◤.v/ ───── \─ \─。──╱──
[秋 - 进]
──────────────────────────────
Yu ▁▂_ _▂▆██▇▆▃____= -ptt.cc-
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──────────────────────────────
注:原图为一字双色,上述两图有一些修改。可以点击以下两个链接,查看
原版图画:
http://ansiart.org/A_pic.aspx?fid=6995
http://ansiart.org/A_pic.aspx?fid=6997
相信第一次看到这两幅图的人,都会有两个感受:一是竟然色块图可以如此
精致细腻;二是,这两幅图很有绘本的风格(而且近似于那种韩国绘图)。
但我更想提一下本作品的开创性意义,请大家重点观察第一幅图画中,树叶
的画法和景物的远近构图;第二幅图画中天空的画法。
恩,还是先说说第二幅图中的天空。
不知道是否大家都看过新海诚的动画片。其中最吸引人的,莫过于绚丽多姿
的天空光影与色彩过渡。新海诚非常喜欢使用亮光,以及粉色、蓝色这类夺
目的色彩。
但,这样的效果,似乎是暗丝色块可望不可及的。因为暗丝的颜色色差明显
,没有柔和的过渡,要塑造天空细腻的色彩过渡效果,似乎是勉为其难。
但也不是没有人尝试过,请看下面两幅,L4KevinX的《长相守》、OROCHI(
台湾)的《紫霞》,以及juor2(台湾)的《垦丁日出》。space*3
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_
上述三图的尝试,都颇有野心。天空中细腻的云层、复杂的日光光影,都是很难
用色块表现的。第一幅图试图用大面积色块和剪影效果,来表现落日;第二幅图
试图用紫色、粉色等缤纷的色彩表现晚霞;第三幅图更是用黄色和蓝色的色差对
比,来刻画日出的景象。
这三幅图都提供了一些画天空的思路。譬如第二幅《紫霞》的不同颜色层次过渡
、第三幅《垦丁日出》的线条使用,等等。但三幅作品的缺点也很明显。前两幅
用了太多高亮色,不够细腻,第一幅更是转图痕迹明显。而第三幅暗灰色使用太
多,区隔不明显,显得有些杂乱。
而OrangeYu的《秋进》,却是另一种思路,那就是细腻的色块横向过渡,类似于
▁▂▃
▇▆▆▅
再加上重意不重形的原则。
说得很玄乎,那是因为我自己也没掌握多少 =,=|||
而haoyuan殿有一幅致敬的作品《2009的最后一天》,我们可以对比一下,
请按space
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〞 ‵
_
结合我之前所说的,OrangeYu的《秋进》,之所以给人“原来云彩可以这样画”的
感觉,是因为图中除了点缀的白色小云朵之外,是大面积的黑色-蓝色过渡,给人
秋高气爽的感觉。整个黑色区域呈三角形,看似和云搭不上边,却成功塑造出了云
的意味,比之L4KevinX、juor2等刻意刻画云的形态,自是高明了很多。
而haoyuan的《2009的最后一天》,着力模仿了OrangeYu对云彩锯齿状边缘的描绘,
但后者因为黑色区域处理得当,还多了一分浑然一体的感觉。
另外提到重意不重形这点,不由得不说,这还真是需要天赋的。因为暗丝图在刻画
风景的细腻变化时力有不逮,所以着重刻画物体的意蕴,当然比一味描绘形态高明
。但如何体会、表现意蕴,就需要画手的灵感了。
这里再顺提一下我们欧总soulfox的一幅大作《悬铃木叶》,哎哎我原本是想单列
推荐的。
小o在讲解自己这幅图时,曾给出让我们无比望洋兴叹的如下解释:
什么石阶啊,路啊,树啊,之类的,随手描描,
那些叶子也更是快啊,随意的,就是乱放的。。
你说说,我们这些新手,还能说什么呢?!高手就是高手啊!
请痛心疾首地按一下space
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请大家重点看叶子(众:根本不用提醒。。。),可以说,任何一个部分单独取出,
都和叶子的形状不相似,叶子不应该是如下那种样子的么?(by Bluecancer@RYGH)
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但不得不承认,soulfox的叶子看上去更真实,更细腻,这就是重意不重形的高手!
下面说说第二点,关于OrangeYu作品的绘本感觉。(众看着表:怎么才第二点?)
放心总共就两点。。。请看她另一幅作品《春》(本图暗丝版首次在大陆公开)
▇▆▆▇▊▏=▇▅▄▃▃▃▃▁__ _▁▂▁__ . Qemon ▂
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_
本图原为一字双色,稍有改动,原版链接如下:
http://ansiart.org/A_pic.aspx?fid=7004
这种绘本的感觉,来自于以植物作为主线/边框的构图,扭曲变化的房屋,以及一些
可爱物件的点缀。
因为这类绘本色块图物品简单,多为3-4个物品组合在一起(植物、花卉、房屋等)
,所以很体现构图的功力。OrangeYu的《春进》,将植物作为近景,结合远景的房屋
、篱笆,显得很有层次感。
而她的《春》,则通过植物和房屋的扭曲感,增加画面的灵动。
同样成功的作品还有haoyuan的《未名10周年Anniversary》,请按空格键欣赏,本次
点评够长了,到这里结束吧。
_
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╱ 玻璃杯参考wut作品 へ ◥◣╲ /▔▆▄▂ \
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│▎ ▄ ::_ :: ▄ ◢█◣ _ ┃▋┃ へ ▎︳
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│▎ ◥ - ┃▋┃ ▏︱
│▎钢筋水泥中 何处寻我失落的乐园 ◢▅◣ 〃 " ┃▋┃ " " 〃 ″ │
※ 来源:·日月光华 bbs.fudan.edu.cn·[FROM: 116.236.183.*]
Sender: Castellio percyshelley Right to Heresy
Title: Six Boundless Scenery, a New Time, Four Seasons, OrangeYu
Sending site: Sun and Moon Guanghua Tuesday, February 15, 2011 16:16:45, site mail
Starting from this time, I will recommend a few Taiwanese color block works that I like. The next one is me.
My favorite work, which can even be called a classic, is OrangeYu’s Four Seasons Pit Stop. Select it.
The two paintings Spring Advance and Autumn Advance
The so-called classic works should not only give people a pleasing feeling, but also set a trend.
Everyone, have you started giving a big report? Translated into adult language, I want everyone to watch it and then take a picture.
The case was so amazing that I went for it. It turns out that dark silk can still be painted like this. To borrow a comment from Qie.
There are many classic works in the dark silk world, such as Flubber's Water Drops on the Coke Can, Pisces
Sylow's D.N. opened the eyes of ansiers and created a series of dark silk techniques.
This is the interesting thing about Dark Silk. Seemingly simple characters can turn out so many amazing works.
And the work introduced today is also extremely classic and groundbreaking, making Taiwan's top masters
Missher gave a very high evaluation. The excerpts are as follows:
Only some of sylow’s line works and Qemon’s four seasons works
After seeing it, I can ignite the excitement of passionate creation.
Missher has always had a high self-esteem. What kind of work can make him favor him? Please press space.
[Spring comes]
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Note: The original picture is one word and two colors. There are some modifications to the above two pictures. You can click on the following two links to view them.
Original drawing
http: ansiart.org A pic.aspx?fid 6995
http: ansiart.org A pic.aspx?fid 6997
I believe that people who see these two pictures for the first time will have two feelings. One is that color block pictures can be like this.
Exquisite and delicate. Secondly, these two pictures have a picture book style and are similar to Korean drawings.
But I would also like to mention the groundbreaking significance of this work. Please focus on the leaves in the first picture.
The painting method and the far and near composition of the scenery. The painting method of the sky in the second picture.
Well, let’s talk about the sky in the second picture first.
I don’t know if everyone has seen Makoto Shinkai’s cartoons. The most attractive thing among them is the colorfulness.
The light, shadow and color transition of the sky. Shinkai likes to use bright lights and bright colors such as pink and blue.
target color
But such an effect seems to be out of reach for dark silk color blocks because the color difference of dark silk is obvious.
There is no soft transition. It seems difficult to create a delicate color transition effect in the sky.
But it’s not like no one has tried it. Please take a look at the following two pictures of L4KevinX’s Changxiangshou OROCHI
Taiwan’s Zixia and juor2 Taiwan’s Kenting Sunrise space*3
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トーヘ ャャ Life is full of love and obsession
り フ Willing to be two flying birds
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Kenting's first light in 2009 "'
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The above three pictures are all quite ambitious. The delicate clouds in the sky and the complex sunlight and shadows are all very difficult.
The first picture uses color blocks to express the sunset. The second picture attempts to use large-area color blocks and silhouette effects to express the sunset.
Trying to use purple, pink and other colorful colors to express the sunset. The third picture even uses the color difference between yellow and blue.
To describe the scene of sunrise
These three pictures all provide some ideas for painting the sky, such as the different color gradation transitions of Zixia in the second picture.
The use of lines in the third painting, Kenting Sunrise, etc. But the shortcomings of the three works are also obvious. The first two paintings
Too much highlight color was used and it was not delicate enough. The first picture had obvious transfer marks, while the third picture used too much dark gray.
There are many, the distinctions are not obvious, and it looks a bit messy.
But OrangeYu's "Qiu Jin" is a different idea, that is, a delicate horizontal transition of color blocks, similar to
Coupled with the principle of emphasizing meaning rather than form
It's very mysterious. That's because I don't know much about it myself.
And there is a tribute work in Haoyuan Hall. We can compare it on the last day of 2009.
Please press space
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Combined with what I said before, the reason why OrangeYu’s Qiu Jin gives people the idea that clouds can be drawn like this.
The feeling is because in the picture, apart from the small white clouds dotted there, there is a large area of black and blue transition, which gives people
The feeling of crisp autumn air. The entire black area is in the shape of a triangle. It seems that it cannot match the clouds, but it successfully shapes the clouds.
The meaning is much better than L4KevinX juor2 and others who deliberately depict the shape of clouds.
Haoyuan's The Last Day of 2009 emulates OrangeYu's depiction of the jagged edges of clouds.
But the latter has a more integrated feeling because of the proper processing of the black area.
In addition, when it comes to emphasizing the meaning rather than the form, I can’t help but say that this really requires talent, because the dark silk map is portraying
The delicate changes in the scenery are not enough, so it is certainly better to focus on depicting the meaning of the object than to blindly depict the form.
But how to understand and express the meaning requires the inspiration of the painter.
Here I would like to mention one of our Mr. Ou Soulfox’s masterpieces: Platanus Leaves. Hey, I originally wanted to list it separately.
recommended
When Xiao O was explaining his picture, he gave the following explanation that made us extremely disappointed.
What are the stone steps, the road, the trees, etc. Draw them casually.
Those leaves are also faster. They are placed randomly, just randomly.
What can we, novices, say? A master is a master.
Please press space sadly
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Step on the sycamore leaves
rustling
Please focus on the leaves. No need to remind you at all. It can be said that any part is taken out separately.
They are not similar to the shape of leaves. Shouldn’t the leaves look like the following? by Bluecancer@RYGH
But I have to admit that the leaves of soulfox look more real and delicate. This is the master who pays more attention to the meaning than the form.
Let’s talk about the second point about the picture book feeling of OrangeYu’s works. Everyone is looking at the watch. Why is it the second point?
Rest assured, there are only two points in total. Please take a look at her other work, Spring. The dark silk version of this picture has been released in mainland China for the first time.
. Qemon
. .
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.
.Waiting for me to plant the seeds of hope
e '. Fortunately, spring has come.
e Wait until I see new buds of hope blooming.A
1. Fortunately, you are still there
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This picture was originally one word and two colors. It has been slightly modified. The link to the original version is as follows.
http: ansiart.org A pic.aspx?fid 7004
The feeling of this picture book comes from the composition of the border with plants as the main line, the distorted and changing houses, and some
Adorable decorations
Because the items in this type of picture book color block chart are simple, mostly 3 or 4 items are combined together, such as plants, flowers, houses, etc.
Therefore, it reflects the skill of composition. OrangeYu’s Chunjin uses plants as a close-up view and combines it with a house in the distant view.
The fence looks very layered
And her "Spring" increases the agility of the picture through the distortion of plants and houses.
Equally successful works include Haoyuan’s Weiming 10th Anniversary. Please press the space bar to enjoy this time.
This review is long enough. Let’s end it here.
. ゜ ﹒ do you remember
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The glass cup refers to Wut’s works へ
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:: :: へ
:::: :: :: : " ::: へ
Where can I find my lost paradise among steel and concrete? " " "
Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 116.236.183.*]