Sender: Castellio percyshelley Right to Heresy Title: Eight: A Pair of Pupils with Eyes Cut by Kenshin Sending site: Sun and Moon Guanghua Thursday, February 17, 2011 11:30:36, site mail This may disappoint everyone. The portrait color block below is not actually a first-class painting, but it is meaningful to me. Extraordinary. Its exploration experience in many aspects is very enlightening. Among Taiwan's top painters, wut OrangeYu and others certainly have many wonderful strokes, but missher Gatchaman These two are more important to us, not only because of their high level, but also because they have established some standards for color block painting. Standards and formulas allow us to learn to imitate, especially Gatchaman. He is rigorous, which is reflected in his drawings. There are rules to follow when dealing with many details. This is just like Tang poetry. Although Li Bai was a genius, Du Fu's poems were as business-minded and had a rhythm. It is easier to learn and use a series of rules such as battles. This is the case with Gatchaman's work, which provides a very good way to deal with light and shadow, eyes, element superposition, etc. For reference, let’s take a look at the original image first. http: pic.92e.net d 0 5 84 200611090025291530.jpg Due to the limitations of the color block diagram, the original image cannot be fully presented. Gatchaman intercepted the upper part of this image. The difficulty lies in 1. Describing the face of the heroine Kaoru Kamiya in a small area. Note that her face is slanted, which adds to the difficulty. 2 The treatment of Kenshin’s hair and eyes 3 The superimposed combination of the two 4 The characterization of Kaoru Kamiya’s hands and flowers Please press space to enjoy ﹨ ﹨ ﹑ ﹨ ﹨ ' ^ ﹨ ﹨ ﹨ ﹨ ﹨ sword heart ﹨ Meiji Swordsman Romance Maybe when you first saw this work, what was there? Kaoru, it was the woman. Her eyes were not sure. The characters are also a bit messy, but upon closer inspection, this picture has made a successful attempt in many aspects. There are two coveted realms for portrait color blocks: the charm of the human face and the integrity of the character, but they are similar. You can't have your cake and eat it too, because the former requires us to sculpt our eyes and eyes, so our eyes need to be It takes up 1 to 3 lines of space, so the face must be drawn large enough. According to my experience, the eyeball part only takes up one line. Okay, add eyelashes, eyebrows, etc. 3 lines are enough, but the latter requires us to add more in addition to the face Add the shoulders or even the entire upper body, and match it with some accessories. For a 23-line drawing space, the same It’s really hard to do both at the same time By the way, if you are drawing a Q layout, the eyes can be disproportionately large and the torso can be appropriate. Shrunk down, so it’s not a problem, but after all, there aren’t many Q versions. In this picture, the two most typical portraits are brought together. The headshot that takes up almost 4 and 5 of the frame and the complete face. The bust of the shoulders and hands is decorated with flowers and other accessories. Not only that, there are also depictions of light and shadow. Oops. This combination is the color block realm that I have been dreaming about lately. Let’s talk about the experience and secrets The first thing is the eyes. Personal experience. The eyes don’t have to stick to the original image. Generally speaking, the three character blocks and light spots are appropriate. The black area is used to depict the eyes, and the upper and lower black eyelashes are added. This painting method is tried and tested, as shown below. , , ﹨ It is worth noting that the depiction of the eyes of the heroine in the kenshin picture. According to the proportion of the original picture, her eyes are only Occupy one grid. This is the restriction that makes many masters commit suicide. Although I personally feel that the charm here is not very good, but His idea is worth learning. Three character blocks depict the corners of the eyes, enough black space, and light spots. In fact, the clever use of three character blocks and black areas can create unexpected effects. Gatchaman's work That's it for Harry Potter. Please note the black three-dimensional block in the upper right corner of his eyes. space Next is hair treatment. Generally speaking, hair color and texture are the most difficult to deal with. About this Please believe that the girl of my dreams must have black and shiny hair because it is easier to draw. In this picture, Kaoru's hair is Changing her hair to black successfully differentiated Kaoru from Kenshin behind her. If there are people on top of each other in the color block diagram, they need to be properly separated, otherwise it will be easy to get confused and unable to tell them apart. A divine horse is a divine horse. In this picture, Kaoru's entire body is covered in black hair, and the black border is deliberately thickened. The blue top is completely depicted with a thick black frame By the way, Missher also has a lot of experience in using black. Please look at the following two pictures of female and Peking Opera Zhengdan. The focus is on the contrast between the black shadow of the former's hair and the black and red color difference of the latter, as well as the use of highlights. btw I think Peking Opera Zhengdan is Missher's most outstanding work recently. The highlight is the black and red. It can be used in a large area and has bright white blocks as just the right embellishment. Please press the space bar { . . " " [ " # . " ] # [ " { " ー' . " . . { # " { " " # ' maple Press space again , { ," ﹛" , [ }. "{ . . ! . ' ; . . . } { , . , " " { } ' " . : { { " , : , . ; , " . " Maple .} Another experience with Kenshin drawings is to depict body parts such as hands and shoulders in a small area. Gatchaman used black to successfully distinguish the torso, head and arms, which looked very natural for difficult drawings. He used color blocks to shape the palms of his hands and used lines to outline the details, which also achieved very good results. Please note that he did the same thing with the flower. Furthermore, Gatchaman actually did some plastic surgery on Kaoru's face in the original picture. There is nothing we can do about it. There is room. What’s the limit? It’s worth noting that the face shape after plastic surgery is closer to the top and bottom shape, which is more conducive to dark silk threads. Describe something like this Such cosmetic treatment was even more successful in his classic Spirited Away Spirited Away It is also an example of his successful combination of portraits and objects, and proper deformation is the key. Please press space to enjoy it. btw I've always been confused about why the white dragon's torso uses large areas of bright gray to represent shadows and dark green Isn’t color better? Attached is the original image. Note that Bailong's head, Chihiro's face, and hair are all deformed compared to the original image. http: farm1.static.flickr.com 147 399725296 d114fb0131.jpg . . . . . ' ' . . . ' Finally, it’s the light and shadow in this picture. The biggest highlight here is the light and shadow processing of Xun’s face in a small area. It goes without saying that it is difficult to process, but having said that, the light and shadow depiction of Kenshin in the original picture is not complete in this picture. Partially expressed, it’s more about describing the light and shadow of the hair, plus the lack of portrayal of Xun’s eyes. After all, it’s Not a small regret I tried to add some light and shadow. It’s really a sin to tamper with the works of my predecessors. I took a look at the inside. I hope you don’t It's superfluous Please press the space bar ﹨ ﹨ ﹑ ﹨ '. ﹨ '. ^ ' ﹨ ﹨ ﹨ ﹨ ﹨ sword heart ﹨ Meiji Swordsman Romance The glass cup refers to Wut’s works へ :: " :: :: へ :::: :: :: : " ::: へ Where can I find my lost paradise among steel and concrete? " " " Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 211.144.101.*]