发信人: flubber (跳跳马), 信区: ascii_club
标 题: Re: 从金陵十二钗系中体验线条人物画制作
发信站: BBS 大话西游站 (Fri Apr 18 14:28:09 2003), 转信
原来yummi就是茄子啊
而且我现在才知道原来这套十二金钗是好多人都在做
我说怎么起先挺好,后来越来越糙,呵呵。
这个惜春的头部很不错,刘海,发髻都出来了
头上两个红色的发饰正好对称。
脸形的字符和后领都很准确,脸蛋胖乎乎的比较可爱
身体比例也很好,至于头是不是大?
我觉得现在很合适啊,惜春是年纪最小的一个,头应该大一些。
手不是很清楚,不过也只能这样了,
上次那个㏕纯属运气好,
其实大多数时候手这么精细的地方是找不到对应字符来画的
群摆的部分也不错,但是群身的褶皱不太合理
黛玉葬花那幅也一样。
褶皱看似随意,其实很难画,Iamppkl画的褶皱最好
我画神话传说的时候大量参考了它的褶皱。
我的体会是要注意两点,
一个是褶皱的质感
不同质地的布料,应该有不同的褶皱。
这些小姐的穿着都是绫罗绸缎,质地轻薄,褶皱应该流畅细长
用线上注意线条整体走向舒畅,字符首位相接。
诸如土布、麻布、棉袄之类的,褶皱零碎,
这时应该用首尾不相接的杂乱线条来画。
另一个是褶皱的分布
要根据衣服下面的身体动作来画
像这样站立的动作,褶皱大体都是竖向,少许斜向,不太可能有横向
若有屈腿之类的动作,分布就更加复杂,
衣服和身体贴紧的地方一般没有褶皱。
大概就是这些。
Sender: flubber jumping horse, message area: ascii club
Title: Re: Experience line figure painting production from the Jinling Twelve Hairpins Series
Sending station: BBS Westward Journey Station Fri Apr 18 14:28:09 2003, forwarded
It turns out that yummi is eggplant.
And now I know that this set of twelve golden hairpins is made by many people
I said it was good at first but then it got worse and worse, haha
This Xichun’s head is very good, with bangs and bun coming out.
The two red hair accessories on the head are exactly symmetrical
The characters on the face and the back collar are very accurate. The chubby face looks cuter.
The body proportions are also very good. As for whether the head is big?
I think it’s a good time now. Xichun is the youngest and her head should be bigger.
My hands are not very clear, but that’s all I can do.
That one last time was just luck
In fact, most of the time, you can't find the corresponding characters to draw in such a delicate place.
The group poses are also good, but the folds on the group body are not very reasonable.
The same goes for the painting of Daiyu burying flowers.
The folds look random but are actually very difficult to draw. Iamppkl draws the best folds.
I made a lot of reference to its folds when drawing myths and legends
My experience is that we should pay attention to two points
One is the texture of wrinkles
Fabrics of different textures should have different pleats
The clothes these ladies wear are all made of silk and satin. The texture is light and thin, and the folds should be smooth and slender.
When using the line, pay attention to the smooth overall direction of the lines and the characters connecting at the top.
Wrinkled bits and pieces such as homespun, linen, and cotton-padded jackets
At this time, you should draw with messy lines that are not connected from beginning to end.
The other is the distribution of folds
Draw based on the body movements under the clothes
When standing like this, the folds are generally vertical, with a few diagonal ones, and unlikely to be horizontal.
If there are movements such as leg bending, the distribution will be more complicated.
There are generally no wrinkles where the clothes are close to the body
That's probably it