Sender: TrueofLove Magic Season, message area: ANSI Title: Experience line figure painting production from the Jinling Twelve Hairpins series zz Sending site: Sun and Moon Guanghua Monday, April 21, 2003 17:15:14, site mail Sender: yummi Yami, message area: ASCIIart Title: Experience line figure painting production from the Jinling Twelve Hairpins Series Sending site: Drinking water and remembering its source Thursday, April 17, 2003 at 23:02:29, site mail Although this Xichun still needs to be further modified in some details, I am basically satisfied with the way it looks now. And I I don’t have the patience to carve something like Flubber. If I can’t make something for more than 12 hours, I will throw it away. This is my first time making threads. Here are some experiences of the characters. You can discuss them together. First of all, before you start, I recommend that comrades who are interested in studying this type of work download the anieditor of flubber. I have never been interested in simplifying the code of patches. The most convenient thing about this patch is that it enlarges the table of special symbols. After the patch is installed, select all symbols in the drop-down menu next to the special symbol input box and use them in line drawings. We have basically all the strange and weird symbols that we have seen, including the radicals of Chinese characters. You can experience it. This can go a long way. Solve the problem of unfamiliarity with special characters to a certain extent. Here I correct what giky said in a previous post: ㏕ is the entire symbol. The unit is mile instead of three letters. Mil cannot produce that effect. This is what advertising can do. Let’s talk about it next. The main title of this painting is the composition of Xichun The first painting in this series, Daiyu Burying Flowers, is also the best one so far. Since it originated from this painting, the style and size are equal to each other. But it’s best to follow this one. Since it’s a series, let me just copy Daiyu’s Burial Flower directly. cop y twice, delete one of them and leave the border. If the border is changed drastically, it will not look like a series. Compare the problemr You can see the one, and the other one is left next to it for comparison, and it will be of more use later. I chose Xichun. I liked her the first time. I liked Tanchun first, but she was fucked by giky. 55555 Xichun the second time. There is nothing around the painting. The only prop is the pen. It saves trouble and suits my lazy personality. This system There are three main things that can be used to distinguish characters: hairstyle, headgear, clothing, and then background props. These are necessary. The performance should be as different as possible from other existing clothes. Xichun's clothes are relatively plain and simple, which is another trouble-free In my place, Xichun’s hairstyle is quite distinctive. But in the end, I felt like I was doing Chunli K O After taking some time to master the basic characteristics of the character, don't rush into it. The draft must be done. Flubber drafts. If you don’t type, my method is not to draft in Ansieditor, but to roughly copy it with pencil and white paper. It’s necessary to roughly look at those lines. In fact, the lines in the original picture are simple enough. The other thing is to set the proportions. What I decided to start with was to divide the human body into 5 parts for the height, one for the upper body, one for the lower body, and the border itself was 21 For row height, you can make good use of the two coordinates in the lower right corner of Ansieditor. One is absolute coordinates and the other is relative. The pattern can be more than one or two lines. Anyway, about 4 lines per copy is enough. As for later cloudshadow came up with the idea The bag is too big, so I need to reduce the proportion. This is the post-production work. When the proportion is determined, I use the background color to make a 5-frame red The white and white vertical ruler is placed inside the frame, approximately next to where I plan to place the figures. I can finally start drawing. Got it When I actually drew it, apart from the large outlines, horizontal and vertical straight lines, and several diagonal lines, which were somewhat regular, there were only other details. I can rely on trying. I will draw the head first, then draw the outline step by step, and finally study the details and the more difficult parts. Sweet first, then Bitter. Imagine that you are a pattern recognition robot. Of course, you cannot try hundreds of symbols one by one. Enumerate c like this. Omputational complexity is too high. We need to add constraints. The symbol you want needs to have those Features Tilt angle Whether or not there is a corner Complexity Here are a few examples The parts around the ears of the headgear and the accessories on the body are of the same type. The symbols you are looking for should be very complicated, but most of them are circles. The lines of the corner are relatively soft, and it looks like a one-touch thing from a distance. Then the search range can be easily narrowed down to Japanese. If you go to Kana, there are not many that can be used. In fact, the effect is almost the same if the two positions are interchanged. Then Let's take a look at the bangs. It's very intuitive to choose people, but there's nothing wrong with putting them up. I felt that the strokes were too hard and too symmetrical, so I tried entering, but I still felt that the grid was too full. I only thought of the λ that I am using now. The effect is better. It will definitely be more difficult to do by hand. Part of Baochai is so good. The hands are hidden. My hands here are also very difficult. I have already drawn the posture of the hands on the paper. What's going on? I'm too lazy to continue trying. The position of Xichun's hands is fixed on the upper part of the pen. The choice is very small. Usually we do this part first, holding the pen in one hand and handling the pen tip with the other, and then try desperately. Ah try... In this picture, the area where I am lazy is the skirt. I used the flip function in ansieditor to make the big outline. It was made directly from Daiyu's skirt. However, Daiyu's gauze skirt is lighter and more elegant, so I removed a lot of it. I also changed the wrinkles and the skirt that ended up hanging out. Anyway, this is easier than drawing it from scratch. Up to this point, I have only used white. You can take your time with the coloring, so you don’t have to rush to color it when drawing the outline. This way, You can’t take both into account. Generally speaking, I suggest not using too many colors. I would rather use light and dark to express the layers. I didn’t think carefully about it. Worried about it, it started to get colored in a hurry, and then I stopped after it seemed to be okay. Finally finished, take a break, look back, or listen to other people’s opinions to make revisions. Just finished looking at your own work. There will be deviations. Cloudshadow said that the header in my first version was too big. I will take a closer look and compare it with Lin Dai. Jade indeed has one more line, so I cut it Okay, so there are about so many ideas, please try them out: When people face life and death, money, reputation, and status will all be gone. Only love will stay with our souls forever... Source: Sun and Moon Guanghua bbs.fudan.edu.cn [FROM: 10.85.47.108]