发信人: flubber (跳跳马), 信区: ascii_club
标 题: Re: 转载1,有关ascii创作方向的感受
发信站: BBS 大话西游站 (Tue Nov 25 12:57:38 2003), 转信
关于特殊字符,我的感觉是,不可滥用!
与lie的习惯相反,我很喜欢“在一大堆字库中寻找一个字符”
当一个传统形状的字符,天然地贴合于某个新的形状,
这种天造地设,浑然天成的感觉构成了一种欣赏趣味。
我所说的特殊字符,不仅仅包括中文字跟,也包括单字节的b m j等
要用特殊字符,前提是必须非常贴切。
个人反对那种“差不多”“有那么点意思”的用法,
并不是所有要表达的东西都能找到一个特殊字符来画
如果贴切的程度达不到80%以上,那宁可不用
宁可用/ - \ | ( ) 这些普通的字符来画。
因为特殊字符要比普通字符惹眼得多,
其不够贴切的成分会被放大。使整体变得模糊。
原来还是很少人用特殊字符的,
自从ae203b补丁把很多字符加入到ae里面以后,
也许是找字符太过便利,
作品中就出现了一大堆滥用的 巛 彡 ッ之类。
关于手指,更应该视当前要画的动作而定,
同样是手,不同动作,从不同的角度观察,形状各异
我自己画过的手没有两只是一样的,
用过的字符要想再用一次,可能性微乎其微。
越贴切的字符就越难再次用到,因为形状太专一了。
生搬硬套的效果往往是糟糕的,
印象中一个典型的例子是:有个女孩的作品套用了㏕
结果看上去那个女孩仿佛在做一个f**k的手势。
关于批评和修改。
过去我也改过别人的东西,后来才意识到这不太好,
修改还是应该得到原作者的同意吧,
如果说评论的话,恐怕是另一回事,
文艺批评应该有更自由的方式,
这也谈不上什么"指导",各人有各人的看法,
提出的建议作者也有采纳不采纳的自由。
Sender: flubber hopping vault, message area: ascii club
Title: Re: Reprint 1 Feelings about the creative direction of ascii
Sending station: BBS Westward Journey Station Tue Nov 25 12:57:38 2003, forwarded
Regarding special characters, my feeling is that they should not be abused
Contrary to lie's habit, I like to find a character in a large font library
When a traditionally shaped character naturally fits into a new shape
This kind of natural feeling constitutes a kind of appreciation pleasure.
The special characters I am talking about include not only Chinese characters, but also single-byte b, m, j, etc.
To use special characters, the premise must be very appropriate
Personally, I object to that kind of usage which is almost interesting.
Not everything you want to express can find a special character to draw
If the degree of relevance is not above 80%, then I would rather not use it.
I would rather use these ordinary characters to draw
Because special characters are much more eye-catching than ordinary characters
Components that are not relevant enough will be amplified, making the whole blurry.
It turns out that very few people use special characters.
Since the ae203b patch added many characters to ae
Maybe it’s too convenient to find characters
There are a lot of misused words such as 巛彡ッ in the works.
Regarding the fingers, it should depend on the current action to be drawn.
The same hand, different movements, different shapes when viewed from different angles
No two hands I've ever painted are the same.
The possibility of using used characters again is extremely slim
The more relevant a character is, the harder it is to use it again because the shape is so specific.
The effect of applying mechanically is often bad
A typical example in my impression is that there is a girl whose work uses ㏕
It ended up looking like the girl was making a f**k gesture
About criticism and modification
I've changed other people's stuff in the past, and then I realized it wasn't good.
Modifications should still require the consent of the original author.
If it's a comment, I'm afraid it's a different story
Literary criticism should have a freer approach
This is not a "guidance" at all. Everyone has their own opinions.
The author also has the freedom to adopt or not adopt the suggestions made.